Love in Our Time
Pseudo-documentary which "examines the British public's most intimate sexual relations and the modern-day permissive society".
Stalags were pocket books whose plots revealed lusty female SS officers sexually abusing camp prisoners. During the 1960s, parallel to the trial held against Nazi war criminal Adolf Eichmann, sales of this pornographic literature broke all records in Israel and hundreds of thousands of copies were sold at kiosks. The popularity of the Stalags only declined after a much-reported trial, in which their authors were accused of distributing anti-Semitic pornography. This film examines the notorious phenomenon, exposing the creators of this genre for the first time. It posits that the combination of pornography and the Holocaust also appears in canonic Holocaust literature and continues to be a widespread part of the representation of the Holocaust in Israel today.
Pseudo-documentary which "examines the British public's most intimate sexual relations and the modern-day permissive society".
The question of "who hunts virgins" and more will be stripped down and explored in the sexiest trailers hosted by Playboy's Nikki Leigh.
Radical feminist Andrea Dworkin's expose on the pornography industry.
A pseudo-documentary, “Samarang” tells the story of lowly Ahmang (Captain A.V. Cockle) and his socially superior love, Sai-Yu (Theresa Seth). Both live in the village of Samarang in the Indian Ocean. Because Sai-Yu is the daughter of a chief and Ahmang is but a poor fisherman, he needs to increase his wealth before asking for her hand. Thus he accepts the perilous offer of the wily Chang-Fu, who seeks pearl divers. Ahmang must brave the treacherous waters of the Forbidden Lagoon of Sakai, home to bloodthirsty cannibals, killer sharks, and a monstrous grasping octopus. Sai-Yu and Ahmang’s younger brother Ko-Hai come along for kicks, too. Ahmang finds his pearl, but he and Sai-Yu are stranded on the island, where they befriend a local orangutan. When they return to the boat, a shark kills Ko-Hai, and Ahmang must get revenge.
Documentary on famed erotic icon Pandora Peaks. Last film directed by Russ Meyer.
Ilsa, a warden at a Nazi death camp that conducts experiments on prisoners, strives to prove that women can withstand more pain and suffering than men, and therefore should be allowed to fight on the frontlines.
A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.
In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by the sexually repressed Sister Jeanne.
Siberia 1953: Ilsa is now working in a Gulag prison camp. Her mission is to "retrain the minds" of those who don't agree with the communists.
WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!
A Nazi propaganda movie from 1941 directed by Max W. Kimmich, covering a story of Irish heroism and martyrdom over two generations under the occupation of the British.
A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.
Vital true sex facts and scenes formerly restricted to medical books, this film was billed as an illustrated lecture on film.
In 1747, a handsome but rebellious Scotsman named Richard Abdee is auctioned off as a slave on a Caribbean island controlled by French and British sugar-planters. When caught having sex with his owner's wife, Abdee is given 100 lashes with the dreaded "dragonard" whip. This sentence is meant to be fatal but Abdee survives and later joins in a slave revolt which puts an end to the island's era of savage whippings.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
This documentary focused on diverse sexual acts.
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This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.
In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.
"Why Do They Do It ?" preached that it was decent to be a sexual creature. A panel discussion in the Student Association as a kind of frame, you watch various so-called live shows and you met actors like Effie Schou, Søren Strømberg, Dale Robinson and Keld Rex Holm. A lot of attention was given to Bodil Joensen, a very pet-friendly young lady, who would like to enjoy a bull named Sofus.