21 Oct 1985
Stripper
A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.
This Much We Know
While investigating the suicide of Las Vegas Teenager Levi Presley, a filmmaker uncovers a story of a city with the highest suicide rate in the country, and a nation scrambling to bury decades of nuclear excess in a nearby mountain.
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Why did the Roman Empire, which dominated Europe and the Mediterranean for five centuries, inexorably weaken until it disappeared? Archaeologists, specialists in ancient pathologies and climate historians are now accumulating clues converging on the same factors: a powerful cooling and pandemics. A disease, whose symptoms described by the Greek physician Galen are reminiscent of those of smallpox, struck Rome in 167, soon devastating its army. At the same time, a sudden climatic disorder that was underway as far as Eurasia caused agricultural yields to plummet and led to the westward migration of the Huns. Plagued by economic and military difficulties, attacked from all sides by barbarian tribes, the Roman edifice gradually cracked.
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Ten years after an enormous open-pit gold mine began operations in Malartic, the hoped-for economic miracle is nothing more than a mirage. Filmmaker Nicolas Paquet explores the glaring contrast between the town’s decline and the wealth of the mining company, along with the mechanisms of an opaque decision-making system in which ordinary people have little say. Part anthropological study, part investigation into the corridors of power, Malartic addresses the fundamental issue of sustainable and fair land management.
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At the beginning of the 80s, the antinuclear movement was in full expansion internationally and also in the Basque Country. In addition to the three plants that were about to be built on the coast (Lemoiz, Ea-Ispaster and Deba), a fourth was planned to be built in Arguedas. To protest against this, mobilizations were organized in Tudela. Gladys del Estal Ferreño traveled to Tudela, but did not return. In that peaceful demonstration, she was killed by the gunshot of a Civil Guard. This documentary, following the Gladys incident, tries to make a portrait of a social movement that attracted the majority of Basque society at that time.
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Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.
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Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.