Habitar
An oneiric moment in the contradictory sensations that arise when experiencing the COVID-19 pandemic.
Superstitions are examined in the context of mid-20th century America. Walking under ladders, spilt salt, stepping on cracks, haunted houses, voodoo dolls, and such are used to illustrate the widespread belief in the supernatural.
An oneiric moment in the contradictory sensations that arise when experiencing the COVID-19 pandemic.
A guy is singing in the bathroom, his next door neighbor starts to complain, setting a chain of events in motion.
Roman township of San Basilio: Fabio, 7 years old, in Italian a "character", is assigned to a differential class. How the family reacts, what the neighbors say, what the teachers, the principal, the psychologist of the elementary school think: the doubt is that there is no re-education of a child at stake, but the green light for social homologation.
Four friends wake up after a drunken night. Unaware of what happened, they'll have to track down a mysterious girl, a lost friend and a missing finger in a day they will never forget.
Stuart and Kaylie are enjoying their third date until Stuart reveals a secret that threatens to derail their relationship. Is he telling the truth, or is it just science fiction?
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
While a woman attempts to cover up her daughter's murder and reinvent her life, her sister is visited by their mother, who was thought to have died.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
On a date, a young Korean-American attempts to hide an embarrassing secret.
This minimalist six-minute film looks at the creation of animal life through video and time-lapse footage of an embryo’s development – a process universal to all animals, including people. The film follows, in microscopic detail, the development of an alpine newt in its translucent egg all the way from first cell division to moment of hatching.
A ridiculous mini-doc about Bill Daughton and his creation of a six-foot penis costume at the Halloween Parade in Greenwich Village, New York. See Daughton dressed up in the giant penis costume, walking around campus, catching the subway, and chatting with people about the costume on his way to the Halloween Parade. (Oddball Films)
The film shows the spatial distribution and the behaviour of the Mediterranean demoiselle Calopteryx haemorrhoidalis on typical reproduction waters. The great importance of suitable perches becomes obvious. These perches, e. g. single rush stems, are used by immature, hunting individuals as well as by reproductive males that are controlling territories from these sites. The latter chase all other individuals, the result being a spatial segregation between immature and reproductive specimens during the day. Typical behaviour, such as threatening, courting, copulation, and oviposition is shown in different film speeds.
Using gland regions on their heads, warthogs mark poles and other objects for self-orientation. Males often mark during the mating season. The male also sprays urine when searching for and inspecting sleeping cavities.
A musical about a woman getting work done on her house.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Three friends go on a mission to find out the answer to a question.
A short documentary about witches.
A "Peeping Tom" likes to look through windows at women undressing. We see him as he sneaks a peek at two subjects. The first, a woman dressed in lingerie, is young, shapely and attractive. The second, to be charitable, isn't. That doesn't stop him, and the viewer, from getting an eyeful.
Mildred's parents run a dying parlor out of their home. Today's client is not who she expects.
Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye