L'oreille décollée
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An updated version of John Mulholland’s making-of documentary that explores the remarkable 1952 film starring Gary Cooper, and the gripping story behind its troubled production. Though High Noon was originally seen as an attack on the blacklisting witch hunt gripping Hollywood at the time, it is now recognized as a damning portrait of civic complacency, democracy in peril. High Noon is today considered a classic of American cinema.
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This coming-of-age memoir takes a candid look back on a group of struggling creatives isolated in the Appalachian Mountains. Three generations of perseverance is expressed through voice and creativity as families labor through mortality and heartbreak in this raw insight into the importance of community.
China’s President Xi Jinping is a force to be reckoned with. As leader of the Communist colossus, he commands the world’s attention, but who is China’s strongman and what is his agenda?
The Network is an exclusive group of the most professional and fearless corruption hunters in the world. It is twenty public prosecutors and investigators from Europe, US, Africa, Asia and Latin America that meet in order to support each other and find new tools in the struggle against corruption. They investigate some of the wealthiest, greediest and most influential leaders and enterprises in the world. The members have faith in a just world even if many corruption hunters have been killed.
At twenty-six, Noel Starblanket was one of the youngest Indigenous chiefs in North America--twice elected chief of the Starblanket Reserve, and also elected vice-president of all-Saskatchewan Indigenous organization. His great-grandfather's advice was to "learn the wit and cunning of the White man." That he did. Here he is seen in action, a chief with a briefcase, working with government officials for grants, running for public office, talking down his opposition, and solving the domestic problems of his reserve.
An examination of the effect of McCarthyism on two ordinary Americans. Interviews with Paul McCarty and his family describe the loss of his job in a Paducah, Kentucky power plant in 1953 when his loyalty was questioned; he lost job after job for over twenty years. Interview with Luella Mundel, the object of false accusations based on her unconventional views and actions. Interviews with colleagues, friends, and a historian recreate the dramatic trial which devastated Mundel personally.
Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)
One-man armies, meet-cutes, casual strolls away from huge explosions — stars and industry insiders toast and roast these cinematic chestnuts and more.
For this informative new one-off, film writer Ian Nathan focuses on the first 60 years of British film, from the invention of cinema and the transition from stage to screen, to the emergence of the studios and the first popular idols. Nathan takes us through the work of leading British film-makers — a talent pool that, like Hollywood’s, benefited from the influx of refugees fleeing Europe — including Alfred Hitchcock, Powell and Pressburger, and many more besides.
On October 23, 1998, a sniper carrying a high-powered rifle assassinated Dr. Barnett Slepian in his home, altering forever a family, a community, and the bounds of our imaginings about anti-abortion violence. This horrific act punctuated a decade of escalating harassment and violence against women’s heath care providers – a decade marred by murders, assaults, death threats, stalking, clinic blockades, arsons, bombings, and chemical attacks. How do these events affect the personal and professional lives of abortion providers? What motivates them to continue their work in the face of such terrorism?
A crowd of spectators listen to President William McKinley's speech during his inauguration ceremony outside the U.S. Capitol in Washington, D.C.
Ten notebooks depict an immersion in French neo-fascist circles during the 2010s.
An in-depth oral history of the production and development history of Robert Altman's "O.C. and Stiggs," featuring commentaries from the film's cast and crew.
In this collection of interviews with some of America's most conservative black pundits, white director Justin Malone presents his vision of being black in America. Featuring politicians, lobbyists, ministers, some unqualified random people (even an alleged sex pest), the film explores their choice to navigate the world as one of America's most self-resenting identities: the American Black Conservative. In this propaganda film from Director Justin Malone and Executive Producer Larry Elder, Uncle Tom evangelizes victim-blaming, selfishness, and their lack of empathy. Uncle Tom shows us a biased perspective of American History from this political ”movement.”
A documentary about US-led covert actions under the Reagan administration intended to bolster the perception of Soviet aggression, undermine the peace initiatives of Sweden's PM Olof Palme, and to tie the non-aligned Sweden to NATO.
In 2005, Michaëlle Jean became the Governor General of Canada. A social activist, global citizen, and black woman, she would redefine the possibilities of that office. While her national priorities were at-risk youth, women, and Indigenous peoples, her international success came from her cultural diplomacy. 2010: the earthquake in Haiti tragically brings her back to her homeland. Michaëlle Jean: A Woman of Purpose is an intimate and sensitive portrait of the stateswoman she came to be.
Documentary about the author Jan Myrdal and his strange friendship with Lasse Diding, founder of the Jan Myrdal Society.
A short documentary about the making of D. W. Griffith's controversial 'The Birth of a Nation'.
With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.
The amazing story of stunts, men and women who risk their lives every day on set to get the perfect action scene.