The Rebel
The adventures of Guido Picelli, a man who was a leading light in the history of twentieth-century Italy and Europe. Guido Picelli fought untiringly for the affirmation of social justice and opposed every form of totalitarianism.
Indonesia adalah tanah airku. Di sana, aku lahir. Apapun akan kulakukan untuk melindungi tempat di mana aku lahir. Tapi mereka mengeyahkanku dari tanahku sendiri.
During the 1965 mass killings to eliminate the Indonesian Communist Party, the new regime banned scholars in the Soviet Union and China, forcing them into exile across Europe. This documentary follows those displaced individuals as they navigate the Netherlands, Czech Republic, Sweden, Germany, and Indonesia, reflecting on the traumatic events that uprooted their lives.
The adventures of Guido Picelli, a man who was a leading light in the history of twentieth-century Italy and Europe. Guido Picelli fought untiringly for the affirmation of social justice and opposed every form of totalitarianism.
During the first days after the 1973 Chilean coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group they call the “Dawsonianas.”
The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.
The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.
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In 1992 the Universal Exhibition in Seville was held in Spain. Chile participated in this exhibition by displaying in its pavilion an ice floe captured and brought especially by sea from Antarctica. In these true facts is based the fantasy narrated in Dreams of Ice. Filmed between November 1991 and May 1992 on board the ships Galvarino, Aconcagua and Maullín, in a voyage that goes from Antarctica to Spain, in this documentary film in which dreams, myths and facts converge towards a poetic tale turned into a seafaring saga, in the manner of the legends of the seafarers that populate the mythology of the American continent and universal literature.
In 1983 a group of 154 children aged 3 and 17 years old traveled alone from Europe to Montevideo. They were children of political exiles from Uruguay, who were unable to come back to their own country; they sent their kids to know their relatives and home country. That human sign, charged with a political message, took part in children’s identity development. Nowadays, six of them still remember that day, when a crowd received them singing all together “your parents will come back”.
"Clio Capers" is a short film about the Clio Club, the Latin club James Blue belonged to at Jefferson High School in Portland, Oregon. The film features "Jupiter" and his fellow immortals atop Mt. Olympus looking back through the "Clio scrapbook," actual home movie footage James Blue shot of club activities between 1946-1948. Originally shot on 8mm film. No sound.
From 2019 Maui Film Festival This powerful documentary celebrates the historic Malama Honua Worldwide Voyage that connected countless individuals and communities from around the globe. A voyage that also represented the fulfillment of the vision of Nainoa Thompson and his contemporaries, the passing of the mantle to the next generation of kanaka maoli who will retain the skills of their ancestors and perpetuate this tradition for generations to come so the legacy of Hokulea can last for 1,000 generations.
Cheikh El-Hasnaoui is an Algerian singer who left his country in 1937 without ever setting foot there again. Between 1939 and 1968 he composed most of his repertoire in France. For many years the Algerian cafes of Paris were the stages of his shows. With a handful of artists of his generation, he laid the foundations of modern Algerian song. A fervent defender of women's rights, he claims, as a pioneer, the fight for identity for a plural Algeria. At the end of the Sixties, he ended his artistic career. On July 6, 2002 he died in Saint-Pierre de la Réunion, where he is buried to this day. This 80-minute documentary follows in the footsteps of this extraordinary character. From Kabylia to Saint-Pierre de a Réunion via the Casbah of Algiers and the belly of Paris.
A series of indie filmmakers are documented over the course of a few months throughout the production of their passion projects, as they change professionally and personally; moving closer to the lives they wish to live.
Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.
The filmmaker’s grandmother moved into this house in 1971. When Rolande Ségalini died, everything remained as it was during her lifetime. But what to do with all the accumulated things? As her granddaughter Céline begins to film this material legacy, she realises that her grandmother has remained an enigma to her to this day. Room by room, she inventories, classes, counts, sorts the possessions retrieved from wardrobes, drawers, cabinets and boxes and arranges the objects into new still lives. It is an attempt to understand the deceased woman better and find out more about her. Step by step, the heiress discovers various connections to France’s colonial history.
A group of mexican high school students spent their time at parties and outside of school practicing skateboard, drinking an doing drugs.
Dos Islas is a poetic story about old age, family and the bond between a granddaughter and a grandmother. The woman, who just turned 102, tells stories about her past and childhood. In a literary and visual way she describes the most minute details. The film dazzles the viewer with love and optimism, the time passes slowly between the two islands, which might be real people, real places or the products of the main character’s imagination.
At the Munich Olympics of 1972, John Akii Bua, from the impoverished African country of Uganda, powered round the inside lane in the 400m hurdles, past the English favourite, and reigning Olympic Champion David Hemery, to win the gold medal, 10m clear of the field. John Akii Bua had become the first African to win gold in an event under 800 metres. He was also the first man to break the 48 seconds barrier in the 400 metre hurdles, an event so gruelling its nickname is 'The Mankiller'. This is the story about that amazing triumph - and what happened next. David Hemery retired to respectable fame and fortune, later becoming president of the UK's athletics federation. John Akii Bua returned to a Uganda carving the name of its military "President", Idi Amin, into genocidal notoriety. This is a film about the pinnacle of athletic achievement - and the search to discover what followed.
A documentary about the subject of 'Film and T.V.' in schools and the students that study it.
Universities across the US are erupting with protests and encampments in support of Palestine. This is unlike anything humanity has in recent history. Why are students doing this? What's the big deal? And why now? The Journey Tellers team set out to answer these questions and more at the UC Berkeley Free Palestine Encampment, on the first day it was launched in the University of California, Berkeley.
Due to the measures taken by the government, students have fewer and fewer prospects for a meaningful future. Life is on pause and society is kept in fear. The confidence in a bright future is gone. Even after 18 months, there is still no light at the end of the tunnel. The many promises have not yet changed this situation. In this moving documentary, young people give an idea of the impact of the measures on their lives. Is there still hope or has the damage already been done?