
11 Feb 2025

Jo
Jo; or The Act of Riding a Bike is Zefier's third film.
Essentia is an experimental film in which decentralized young people seek new perspectives on their routine through clothing, showing how clothes affect our affections. Naoki, Felipa and Neve cross their personal paths and, in doing so, find new perceptions of tranquillity, complicity and rest.
Anastacia
Naoki
Neve

11 Feb 2025

Jo; or The Act of Riding a Bike is Zefier's third film.

01 Jan 2005

This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.

06 Dec 2006

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

17 Feb 2025

The story of a lonely man who accidentally discovers an old camera and uses it to capture pictures of his life.

06 Feb 2025

A poetic and experimental short film by Arin Paul, Let Me Call You, Ritwik Da pays tribute to Ritwik Ghatak, inspired by a poem by director John Abraham. Blending evocative imagery and voice-over, it explores Ghatak's legacy.

11 Feb 2025

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

23 Feb 2025

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.

17 Nov 2022

Julia experiences a confused world seemingly against her after receiving a pessimistic tarot reading, as her feelings inevitably differ from her thoughts. Which way to go?

12 Nov 2022

A woman reflects under the parapet.

31 Oct 2025

All she knows comes from the screens. All she has known is the screens. A screen breaks and everything changes.

30 Dec 2023

No overview found

30 Mar 2025

A condensation of a handful of sunsets with various visual moods. Red and blue as opposites that still find a way to cohere. Concrete silhouettes over an ever-changing, expanding canvas. Every movement is collective, molecular. Over an invisible horizon, a chance presents itself to meditate on the “speed” of water (and the sea) and also for a more fluid kind of editing.

29 May 2025

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

01 Jan 2023

The short film poem KYKLOP is dedicated to a mechanical eye as an autonomous being. Round wheels and targets similar to him seem to arouse the interest of this main character. The atmosphere is thundery, thunderous. It reminds of the cyclopean thunder demons from the "Theogony" of the ancient Greek poet Hesiod. KYKLOP (2023) is another autonomous part of the film cycle by Telemach Wiesinger and Alexander Grebtschenko that began with TURBULENCE (2022) and its pairs of mechanical wings.

01 Jan 1967

“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.

21 Mar 2025

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

07 Nov 2023

A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilience, strength, and unique perspectives on womanhood through performance art.

26 Apr 2024

A mosaic-style comedy following the life of a woman as time passes in her long-term casual BDSM relationship, low-level corporate job, and quarrelsome Jewish family.
01 Jan 2001
Experimental Colombian short documentary on the treatment of livestock.


It's as if the world and the pain are reflected in the pool's water, but I still swim in it to stir up my memories.