Balloon
In the brutal battlefield of junior high, Sam has always tried to stay below radar — but all that changes when he discovers he has super powers.
The climbing of an immense staircase made up of the most varied stairs- Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly. The steep staircase leads little by little towards the zones of great light where human beings and nonhuman beings meet.
In the brutal battlefield of junior high, Sam has always tried to stay below radar — but all that changes when he discovers he has super powers.
A guy is singing in the bathroom, his next door neighbor starts to complain, setting a chain of events in motion.
The story of an obese kiosk lady who is stuck in the kiosk.
Various dinners made with different living things...Short animation by Mirai Mizue
Relentlessly reworking ‘real’ images, using techniques borrowed from painting and animated film, Patrick Bokanowski is an author of stature, capable of creating an insane and cataclysmic universe of unquestionable beauty.
A subjective view of an UFO. Shot frame-by-frame along the Tama River.
Short stop motion animation with finger nails.
An introverted man creates a pillow friend in his hotel room to ease his loneliness but this new friendship is short-lived when the maid makes the bedding again and again.
Two castaways separated by distance. All their hopes are pinned in the bottles that they just launch to the sea. A travel across the ocean looking for a hand to pick them up. Will they get someone to listen?
In this animated short, a child only known as X is raised without gender norms as part of a social experiment. X is loved by its classmates but despised by adults because no one knows if it is a boy or girl. Based on the book "X, a Fabulous Child's Story" by Lois Gould.
Jarnow adapts an architectural grid catalogue of cubic rotations in order to explore a direct relationship between animation procedure and logical numerical operations. The film is as much the making of animation as it is a paper model of a computer. The cube sheet, upon which the film is based, is so constructed that a horizontal cubic rotation and a diagonal pan yields a diagonal rotation. Combinations of these primary moves result in more complex rotations throughout this awe inspiring film.
A mind-twisting time-lapse beginning on a hill just outside town, doing for the concept of time what Charles and Ray Eames's 1968 film The Powers of Ten did for space. One billion years in two minutes.
A companion piece to Cosmic Letter, also produced for 3-2-1 Contact. Jarnow begins at his address in Brooklyn and zooms outward to the farthest reaches of the universe.
A filmed exercise that follows in the path of Rotating Cubic Grid and Cubits, the predictably titled Cube features cubes of varying shapes and size sliding around and growing into and out of one another, demonstrating how multiple parts can make up a whole.
A short film made of cel drawings, showing us how various mammals, plants and objects all share similar skeletal structures. Produced for Sesame Street.
A stop motion opus made up of hundreds of hand-painted wooden blocks that takes the viewer through a brief history of architecture. Primitive structures evolve into larger buildings...
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Pings is a short film featuring cute characters in “politically incorrect” situations with an original graphics style. Two of these short films exist, this is the second one with the penguin.
Crocodile Dreaming is a modern day supernatural myth about two estranged brothers, played by iconic Indigenous actors David Gulpill and Tom E. Lewis. Separated at birth, they have different fathers. One is readily accepted as a full-fledged member of the tribe and is looked on to fulfill the duties of jungaiy, an important ceremonial role which obliges him to be caretaker for his mother's dreaming, the crocodile totem. The other, whose father was white, is younger and has had to struggle to fit into the tribe who see him only as a yella fella.
You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.