11 Días en Ayacucho
No overview found
No overview found
Esperanza and Teodula are calling for justice in rural Peru, part of 300,000 people sterilised without consent more than 18 years ago. The Quipu Project is their phone line that allows the affected across the country to share their shocking testimonies and ensure those responsible are punished.
A filmmaker’s meditation on loss and grief. A digital eulogy and swan song to his creative partner and best friend. Mixed media woven into the fading daydream of their time together.
A short documentary film that delves into the life of Eleggua Luna, a karmairi-mokana-motilona Afro-Caribbean trans woman born in Cartagena de Indias, Colombia, to delve into the constant struggle that black, trans and indigenous people live in Abya Yala as a result of colonization.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
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This film portrait of a new kind is a deep dive into the heart of the art scene of Los Angeles. From a ride on Sunset Boulevard in a convertible car at the sunrise, going through a lunch with the art dealer Patrick Painter and a visit to Peter Shire's studio... Having a beer and a deep talk with Paul McCarthy, calling Raymond Pettibon stuck in New-York or searching for Ed Ruscha in bars.... From Ariana Papademetropoulos opening exhibition to the visit of a car wreck with Umar Raschid... From the old house of Cary Grant to the dodgy underground of Downtown passing through Eugenio Lopez's private art collection on the Hollywood hills... Through intimate conversation, 24 Hour Sunset gives us access to the thoughts, inspirations and practice of legendary artists, world famous art dealers, appraised curators and collectors, as well as the young up coming scene of artists living in Los Angeles.
Set in the sparsely populated lobster fishing villages of southern Nova Scotia, Plains is a cinema vérité approach to documenting the curious lives of Jon and Cat, a young couple who are developing politically left-leaning virtual reality video games. Against the busy backdrop of their art practice, we sit in on their quiet rural life, which, in its proximity to nature and the vast green and oceanic spaces that surround, echoes the romanticism of a simpler time. As the decaying world of physical labour and the mechanical industry faces up to an expanding digital empire, Jon gradually retreats into the alternative realities of his own design.
After a premonition of an unusual bird, a father loses his voice. His daughter undertakes a search to rediscover him, through an intimate narrative that explores the past, the new facets and the silences of a man who is no longer the same.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Maverick soul mates Ged and Dave are on a mission through the winding lanes and hidden tracks of North Devon, to record the lives and experiences of people living without mains electricity.
Roads fall into the sea and a travelogue breaks against the landscape.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.
Grandma Kham, an 87 year-old-woman, lives lone and is still strong enough to burn charcoal and weed out grass. But what does she have to go through along the way? And how will she prepare for her own final moment?
The Way of Saint James, northern Spain, 2016. Two brothers, Oliver, the eldest, and Juan Luis, the youngest, a disabled person in a wheelchair, face the hardest challenge they have found so far on their long road of dirt, stones, rain and cold. Everyone says they will not make it, but, fortunately, they are not alone.
Luzía visits the eight stages of the 'pilgrimage' that the intellectuals Otero Pedrayo, Vicente Risco and Ben-Cho-Shey hiked from Ourense to San Andrés de Teixido in 1927; the story of the journey was published in the book ‘Pelerinaxes I’ (Pilgrimages I). She carries out this journey in order to finish up an audiovisual project about Otero Pedrayo’s book started at the University, together with a colleague who passed away in an accident.
A real-time portrait of 2020 unfolds as an Asian-American family in Trump’s rural America fights to keep their restaurant and American dream alive in the face of a pandemic, Neo-Nazis, and generational scars from the Cambodian Killing Fields.
Filmmaker Theo Anthony offers a far-ranging look at the biases in how people see things, focusing on the recorded image.
There are more neurons in a human brain than particles in the universe. But if we could put one behind another, the only thing we would see would be a small river. An insignificant river and at the same time infinite. Under the streets of A Coruña there is a river that many have forgotten, but that from time to time overflows claiming what once was its course.