![Confidences d'une femme mariée](https://image.tmdb.org/t/p/w342/nLP15ZTNZLP8hYt218xMwCqiy9r.jpg)
21 Apr 2020
![Confidences d'une femme mariée](https://image.tmdb.org/t/p/w342/nLP15ZTNZLP8hYt218xMwCqiy9r.jpg)
Confidences d'une femme mariée
After ten years of marriage, a woman decides to tell her husband about her libertine past. A cascade of revelations follows, all as unexpected as they are funny.
Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.
Fong Man-yu
Fong Man-wai
Chui Chung-ming
Mok Wai-sang
Wan Sum-man
Fong's father
Fong's mother
Mok's father
Mok's mother
21 Apr 2020
After ten years of marriage, a woman decides to tell her husband about her libertine past. A cascade of revelations follows, all as unexpected as they are funny.
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No overview found
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Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.
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"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.
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No overview found