Jack Kirby: Story Teller
A documentary on the life of Jack Kirby, co-creator of Captain America, The Fantastic Four, Iron Man, Thor, The Avengers, The Hulk, The X-Men and the New Gods, among other classic comic book superheroes.
Ron, the filmmaker’s father, has a brain injury that affects his ability to situate himself and retain memories. Upon realising that her father no longer recognises her, the director decides to turn her father’s notebooks into a film that plunges us into the complexities of memory and the brain, full of creativity, humour and tenderness.
A documentary on the life of Jack Kirby, co-creator of Captain America, The Fantastic Four, Iron Man, Thor, The Avengers, The Hulk, The X-Men and the New Gods, among other classic comic book superheroes.
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Photographer Imogen Cunningham presents her own work in this Academy Award-nominated documentary.
The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.
It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.
This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Cape Dorset. This film was nominated for the 1963 Documentary Short Subject Oscar.
Charlton Heston tells the fascinating story of the intertwining of Andrew Wyeth's biography and art. He discusses themes of regeneration and fertility. An overview of Wyeth's place in contemporary art.
David Hockney is unquestionably one of the most passionate and versatile experimental artists on the contemporary scene. In the late 1970s the British artist developed a pioneering concept which also changed his perspective on painting – his “joiners”. In this film, the artist himself talks about this photographic approach, a kind of Cubism-inspired photocollage which explores the space-time continuum. Hockney allows the viewer to share in the creative “joiner” process and leads us step by step into the universe of his artistic creativity.
In an industry that is becoming increasingly competitive, what drives indie filmmakers to keep creating their art, even when there is no promise of money or fame? CREATE OR DIE explores the insatiable passion to create despite the overwhelming odds through the lens of South Carolina writer and filmmaker David Axe, as he and his band of cast and crew head out into the backwoods of Georgia to shoot his low budget passion project ACORN. But when tragedy strikes on set, doubt and tension threaten to bring an end to their production and their dreams.
The film reconstructs with care and tactile and optical sensuality the path and legacy of a unique figure of woman and artist: from the turn of the sixties with the "Looms", the "Sewn Canvas", the "Breads", the "Scriptures", the collective action carried out with the citizens of Ulassai in 1981 ("Tying to the mountain"), which anticipates relational art, one of the main artistic currents of the late twentieth century, by a decade. The repertoire materials and landscapes integrate the chorus of testimonies from friends, collaborators, artists, and critics with the same mysterious serenity of the artist's voice.
An intimate journey through the formative years of David Lynch's life. From his idyllic upbringing in small town America to the dark streets of Philadelphia, we follow Lynch as he traces the events that have helped to shape one of cinema's most enigmatic directors.
Michael Palin discovers the story of 17th-century Italian artist Artemisia Gentileschi. He unearths not only her paintings, but a complex and difficult life.
"GENERAL IDEA: Art, AIDS and the fin de siècle is a humorous, informative and ultimately poignant documentary about General Idea. Formed in 1969, they produced art that targeted and mimicked media, consumerism and celebrity, creating a revolutionary new spirit of art making. Interviews with AA Bronson, the sole survivor of the trio, lends personal relevancy to this story of art and sexual politics. GENERAL IDEA: Art, AIDS and the fin de siècle is a tale of love, fame, overwhelming loss and, ultimately, renewal." -AGO.net
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A 1975 short documentary that focuses on the events that molded Frida Kahlo's life.
Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos
Artist, musician and art magazine publisher Noah Becker gives us an art world insider's view of New York based contemporary art in 2011. Important New York based curators, critics and auction houses lend their views on New York's relevance as an international art scene in relation to globalized culture. Other topics include art value and how contemporary art is presented to the public through pop culture and the media. Featuring interviews with art world figures including Lee Ranaldo, Richard Phillips, Michael Halsband, Spencer Tunick, Bibbe Hansen, Bill Powers and Richard Butler. Musical performances by Lee Ranaldo of Sonic Youth with additional music by Moka Only and Noah Becker.
A powerful portrait of Africa's most widely acclaimed contemporary artist El Anatsui. It gives an insider's view of the artist's practice, the ingenious steps and thousands of hours of labor that convert used bottle tops into huge, opulent wall hangings.
Dreaming in Black and White is a portrait of Singapore artist Tang Ling Nah. The film takes us on a journey into Ling Nah’s inner world—her memories, dreams and angels, and her fascination with black-and-white media, drawing charcoal and the city’s transitional spaces. The film explores her practice over the last 15 years and hints at the possible new directions in her art career. It highlights Ling Nah’s courage to pursue her dream to be an artist, the choices and sacrifices she has made, as well as the challenges of being a woman artist in Singapore and her regrets in this journey. The film’s dream-like form mixes documentary, fiction and animation. It blurs the boundaries between us, Ling Nah’s art and her deepest being. Ultimately, it celebrates our dreams—and reassures us that dreams do come true if persevered.
On September 15th 2008, the day of the the collapse of Lehmans, the worst financial news since 1929, Damien Hirst sold over £60 million of his art, in an auction at Sotheby’s that would total £111 million over two days. It was the peak of the contemporary art bubble, the greatest rise in the financial value of art in the history of the world. One art critic and film-maker was banned by Sotheby’s and Hirst from attending this historic auction: Ben Lewis.