Railway Station
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
Twenty-two prominent American women discuss their activism for nuclear disarmament and their motivations in seeking the end of the arms race.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Peter Ustinov hosts this haunting 1980 documentary exploring the world's nuclear weaponry and the fragile system that deters either side from initiating the first nuclear strike. Although the world's political climate has mellowed since the Cold War era, Nuclear Nightmares takes the viewer back in time to gain a perspective of what it was like to live under a very real nuclear threat.
Since the collapse of the Soviet Union, the threat of a nuclear war between the USA and Russia has diminished, but the threat posed by nuclear weapons and materials on both sides has increased. As nuclear weapons age, they become unstable and begin to behave in unpredictable ways. This film is the first to go behind the scenes in Arzamas-16 - the Russian nuclear city so secret that it has never appeared on any map - and the American nuclear weapons laboratory at Los Alamos, New Mexico, to see Russian and American bomb designers working together to reduce the risk. Exclusive archive material.
City of Wax is a 1934 American short documentary film produced by Horace and Stacy Woodard about the life of a bee. It won the Oscar at the 7th Academy Awards in 1935 for Best Short Subject (Novelty). Preserved by the Academy Film Archive in partnership with the UCLA Film and Television Archive in 2007.
Raising angora rabbits for wool; new marine navigation and safety technology; kitchen gadgets; developing new rose varieties.
Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.
This short is one of Paramount's "Popular Science" series (number L6-5, or the fifth one of the 1946-47 production season) and begins by showing moon rockets, weighing 30 tons, a flight in the ionosphere, with mounted color cameras recording pictures hundreds of miles above the earth. Coming back to earth, it discourses on modern bathroom fixtures, and then demonstrates a one-man hay-bailer.
This bicycle-safety film shows children what can happen when bicycles are driven carelessly and recklessly.
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Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
Oscar nominated documentary short from 1984
This 1991 Academy Award®-winning documentary uncovers the disastrous health and environmental side effects caused by the production of nuclear materials by the General Electric Corporation.
It starts with a live radio broadcast from the Bikini Atoll a few days before it is annihilated by a nuclear test. Shows great footage from these times and tells the story of the US Navy Sailors who were exposed to radioactive fallout. One interviewed sailor suffered grotesquely swollen limbs and he is shown being interviewed with enormous left arm and hand.
A day in the life of a train station.
Time Stood Still is a 1956 Warner Brothers Scope Gem travelogue, filmed the previous year in Dinkelsbühl, and presented in the wide-screen format of CinemaScope, directed by André de la Varre. It was nominated for an Academy Award for Best Live Action Short Film at the 29th Academy Awards.
A film about the expansion of the Central Line beyond Stratford.
A commissioned film for Schweizerischer Werkbund (SWB), Die neue Wohnung was produced for the Basel architectural and interior design exhibition, WOBA, to demonstrate innovative aspects of modern architecture and highlight their differences from the event’s highly conservative approach. Despite its ad campaign roots, Richter's touch is not absent; The surviving version, aimed at a "bourgeois" Swiss public, presents decluttered, functional architecture and decor as superior to the traditional and luxurious "ancient" ways of living.
A quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye, an ear, a mouth, a tongue, bits of hair, a hand, the tips of fingers, toes. Occasionally, the frame includes a larger scape of a body: a chest, a back, a breast. Usually the camera is stationery; sometimes, it moves across a body, remaining in close up. They hold hands for one moment. The bodies are without clothes; no genitalia are visible.
Cristiane Jordan, or Cris Negão, as she was called, was a transvestite who worked as a bawd in downtown of São Paulo known by her violent methods to control the other transvestites. Hated and feared by a legion, she also had her fans until she was tragically murdered with two shots in the head. The documentary is a dive into the transvestite universe through the stories of this legendary character of São Paulo's underworld.