Doo Sar: A Karakoram Ski Expedition film
Andrzej Bargiel and Jędrek Baranowski roam through Karakoram to create history. This movie is a journey full of passion and love for big mountain skiing told by two friends across 6,000m of descent.
Marcel Ichac accompanied the mountaineer Armand Charlet, in 1943, in the repetition of the first crossing of the Aiguilles du Diable that the guide of the Chamonix valley had made in 1925. A roped party joined on snow and ice the Col du Géant, reached at the Mont-Blanc-du-Tacul stop and on the Col du Diable. The men cross the needles by climbing chimneys, cracks and abseiling walls. They access the eastern slope of the Mont-Blanc massif which offers a panorama of the Grandes Jorasses and Mont-Blanc. Armand Charlet was the first to reach the summits of four needles above 4000 meters: the Devil's Horn, Pointe Chaubert, Pointe Médiane and Pointe Carmen; he also tells how he successfully climbed the furthest, the Isolated. Marcel Ichac shot these scenes as close as possible to his subject, he responded with this film with a “truth” cinema, the principle of which we find in his later productions.
Andrzej Bargiel and Jędrek Baranowski roam through Karakoram to create history. This movie is a journey full of passion and love for big mountain skiing told by two friends across 6,000m of descent.
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The true story of Joe Simpson and Simon Yates' disastrous and nearly-fatal mountain climb of 6,344m Siula Grande in the Cordillera Huayhuash in the Peruvian Andes in 1985.
Record of the first ascent of Everest made without the use of oxygen equipment, made in May 1978 by Reinhold Messner and Peter Habeler. Could it be done? Would their blood vessels burst? Would they suffer brain damage leading to madness? Nobody was sure. Messner: 'I would never come here for trying Everest with oxygen. That is not a challenge for me.' A fascinating piece of history, well filmed by Leo Dickinson and Eric Jones (above the South Col Messner used a cine camera to continue the filming), featuring Messner and Habeler's thoughts. The film follows the usual sequence from Namche to Base Camp, through the Icefall, to Camps I, II and III. It also shows historical footage of the pioneering Mallory and Shipton expeditions.
Movie about David Lama climbing the Patagonian mountain Cerro Torre for the first time free, a mountain that has been dubbed the most difficult to climb in the world.
In 1984 Ron Fawcett, is one of the most athletic climbers, he takes pleasure in taking up the challenge of climbing "free" without artificial aids, the equipment and rope being used only for safety, a revolution at the time. The documentary is part of "Pushing The Limits", a 10-episode series by Leo Dickinson documenting sporting adventures that push the limits of human endurance. Each episode focused on an extreme sport, ranging from rock climbing to hot air ballooning.
Georges Livanos, nicknamed the Greek but pure child of Marseille, amateur mountaineer, opened more than 500 routes in the Calanques, 40 in the Dolomites, and repeated many of the greatest routes in the Alps in the company of the best climbers of his time, d friends, and especially his wife Sonia. He is also the author of the classic "Beyond the vertical". This report follows for a day the legend, still 71 years old, of his apartment in the Marseille city in the Calanques. As a true Provençal, he speaks without filter of the exploits that made him famous, gives his opinion on modern climbing and on life in general: the portrait of a great climber and above all of a fascinating character with a sense of humor sharp.
At the start of the 80’s sport climbing was in its embryonic stages. Bolted routes were beginning to make a regular appearance, indoor climbing walls as we know them nowadays had not yet been invented and there was no such thing as being a pro athlete. During that period standards rose exponentially, from 7b+ as the cutting edge to 9a becoming the new world standard at the end of the ’80’s. In such a short period the sport changed beyond recognition and, in Britain, was fuelled by a small group of climbers who would do anything to climb full-time: sleeping in sheds underneath crags, shoplifting for food and clothes, and living off unemployment benefits. As illustrated in this film directed by Nick Brown, these climbers were living outside the rest of society and went on to become the most influential figures in the history of British sport climbing.
Ueli Steck may be the greatest speed alpinist the world has ever seen. In this film he tells the stories of his record-breaking ascents in the Alps, accompanied by stunning aerial footage of him racing up 8,000 foot alpine faces. Ueli joins Alex Honnold in Yosemite to attempt speed records there. His ultimate goal: take his one-man alpine speed game to the largest, highest walls in the world.
Trapped near the summit of K2, the world's second-highest mountain, Annie Garrett radios to base camp for help. Brother Peter hears Annie's message and assembles a team to save her and her group before they succumb to K2's unforgiving elements. But, as Annie lays injured in an icy cavern, the rescuers face several terrifying events that could end the rescue attempt -- and their lives.
Georges Livanos. A name that hardly evokes anything, or not much, even in the heart of Chamonix, the Mecca of mountaineering. And yet, the one nicknamed “the Greek” in the 1950s, because of his paternal ancestry, was undoubtedly one of the most important French mountaineers of his time. High mountain guide, Yann Borgnet, is also passionate about the history of mountaineering. “The Greek” is one of the “old ones” who particularly marked him. Yann wants to follow in Georges’ footsteps. So the young guide imagines an alpine journey, designed to visit the great routes opened by Livanos. A dive into the heart of an immense vertical heritage, to meet a great, almost forgotten, figure of mountaineering and his heritage.
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Behind every breakthrough in the progression of climbing, there's a true story of doubt and determination, perseverance in the face of failure. From boulders, to big walls, to competition podiums, the climbers at the top of the game share a commitment to do whatever it takes to achieve their vision.
The documentary film Art of Freedom answers the most poignant questions on the phenomenon of Polish expeditions to the Himalayas. Poles have reigned the highest mountaintops of the world for more than 20 years. They not only set down new trails, but new rules of behavior. They set themselves apart with an original style of climbing, endurance, conscientiousness about the overall well-being of the team - and solidarity.
A screen adaptation of the well-known novel by Roger Frison-Roche about the harsh lives of mountain guides and their families in the French Alps, near Chamonix and the French/Swiss/Italian borders... Like his father, Zian Servettaz is a dedicated mountain man. His Italian-born wife Bianca does not adjust well to his mountain village in France, and to the ever life-threatening dangers presented by his mountain guiding and climbing. She briefly returns to Italy and to her family. However, after Zian's insistence and trip to Italy, she returns to mountain life in the French Alps. Once back there, events will unfold, changing their lives as well as those of other mountain people forever.
Every year, over a thousand climbers try to reach the summit of Mount Everest, with the annual record for successful attempts currently standing at 633. But of that number, nearly half were Sherpas - the mountain's unsung heroes. Yet the Sherpa community has remained secretive about their nation, culture and experiences living in the shadow of the world's highest mountain. Now, for the first time, they open the door into their world. Without the expertise of the Sherpas, only the hardiest and most skilful climbers would succeed. Every day they risk their lives for the safety of others, yet they seek neither glory nor reward, preferring to stay in the background. Following the stories of four such Sherpas - Phurba, Ngima, Ngima Tenji and Gelu - this film reveals the reality of their daily lives, not just up the mountain, but with their families after they return home.
March 12, 1987. The young French mountaineer Eric Escoffier prepares his equipment, very reduced in material and food. He leaves the next day and intends to chain three north faces in the Alps: Eiger, Matterhorn and Grandes Jorasses. The ascent of the first summit, the Eiger is slow, difficult and full of pitfalls. It takes 17 hours to reach it. Without recognizing the terrain -he prefers to improvise- the mountaineer continues through the Matterhorn. When night falls, anxiety is felt on Zermatt's side. Help is organized to pick him up. Despite his refusal to return, Escoffier is finally hoisted. Christophe Profit, a few hours earlier, managed the chain of three summits.
Makoto Fukamachi is a Japanese cameraman. He finds an old camera on a backstreet of Nepal. The camera might possibly solve the mystery of whether George Mallory became the first person to successfully climb Mount Everest on June 8, 1924 or not. Pursuing the old camera's past, Makoto Fukamachi meets legendary Alpinist Joji Habu. Joji Habu is isolated from other people because of his reckless and thoughtless personality.
Esteban ‘Topo’ Mena is an Ecuadorian mountain guide and rising star in alpine climbing whose dream is to climb the first ascent of a new route on Mount Everest. He teams up with Cory Richards, a National Geographic photographer and the first American to climb an 8,000-meter peak in winter, and they attempt a never-before-tried climb on the north face of Everest. Though they fail on their first attempt, they vow to return the following season. However, due to the global pandemic, the North side of Everest remains closed, so the ambitious duo turns their attention to a futuristic new route on Dhaulagiri, the seventh highest mountain in the world. When the risk of death on Dhaulagiri stresses the team to a breaking point, the climbers are forced to confront the question of why they climb—and why it’s all worth it.