Jeremiah Tower: The Last Magnificent
The life of Jeremiah Tower, one of the most controversial, outrageous, and influential figures in the history of American gastronomy.
The film is a portrayal of Zanele Muholi, a lesbian photographer working in the South African GLBT community. This thin, combative woman is already a world-wide famous artist. She defines herself as a "visual activist" in order to highlight her commitment to politics, to communicating ideas and to art. Her work includes: provocative nudes (like a female Mapplethorpe); young Zulu couples, dressed in traditional costumes, embracing each other; a homeless socially excluded lesbian couple; a dignified portrait of Victor Mukasa, the gay human rights leader from Uganda; wonderful shots of Zanele with her white partner. Beautiful and poetic pictures which are "militant" in nature since they condemn homophobia, poverty, and the public and private conflicts of a country divided between tradition and modernity.
The life of Jeremiah Tower, one of the most controversial, outrageous, and influential figures in the history of American gastronomy.
"A man stands amid unpacked boxes in his new home, delivering an extended monologue on indecision and dislocation. This rarely seen, overlooked gem created by Akerman for television explores the quotidian crises and profound feelings of alienation that run through her work." - BAM
A small group of girls in one of the most remote forests left on earth attend a radical high school where they learn to protect the threatened forest and forge a better future for themselves. Set in the untamed wilds of the Mbaracayu Reserve in rural Paraguay, this intimate verite documentary offers a rare glimpse of a disappearing world where timid girls grow into brave young women even as they are transformed by their unlikely friendships with one another.
An omnibus project examining, well, the state of the world.
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Djeferson, Barbara, Rayana and Platini live in a drug controlled slum of Rio de Janeiro. Their families are struggling, their homes are physically unstable and everyone they know has dropped out of school. When a big-top circus tent suddenly appears in a nearby parking lot, they decide to take a chance. They learn trapeze, acrobatics, juggling and contortion, then audition for the end-of-year show, rehearse and prepare for the curtains to part on opening night. Along the way, WITHOUT A NET explores the connections between risk, desire, poverty and circus, and celebrates the perseverance of youth in the face of tremendous odds.
Every time 22-year-old Heba Afify heads out to cover the historical events shaping her country's future, her mother is compelled to remind her, 'I know you are a journalist, but you're still a girl!' Defying cultural norms and family expectations, Heba takes to the streets to report on an Egypt in turmoil, using tweets, texts and posts. Her coming of age, political awakening and the disillusionment that follows, mirrors that of a nation seeking the freedom to shape its own destiny and democracy.
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South African fusion band Mango Groove performs 19 songs for a concert at Carnival City Casino's Big Top Arena in Gauteng, South Africa on 18 September 2010.
The story of the iconic singer's fascinating six-decade career in both music and Black and LGBTQ activism.
The unlikely story of 106-year old Chinese American artist Tyrus Wong, and how he overcame poverty and racism in America to become a celebrated modernist painter, Hollywood sketch artist, and “Disney Legend” for his groundbreaking work on the classic animated film, Bambi.
Three teenagers battle their way through the world of competitive ping pong with their hearts set on the Olympics.
A documentary about gay male cruising and public sex and how it has changed over the years.
A revealing one-shot portrait of two Nepali newlyweds in a moment of rest and playful interaction, Stephanie Spray's Untitled challenges our perception of two themes at the very core of ethnographic filmmaking: human relationships and the ways in which they can be experienced by the viewer. Only fourteen minutes long, Untitled is uncut, rejecting the implications of edited sequences and also purposefully excluding subtitles over the couple's conversation. The style of the film confronts the history of ethnography as a controversial study of the "other" by refusing us any clear messages or meanings behind what is being presented, challenging the viewer to come up with their own answers to any questions that may arise.
How did the willful daughter of a Himalayan forest conservator become Monsanto’s worst nightmare? The Seeds of Vandana Shiva tells the remarkable life story of Gandhian eco-activist Dr. Vandana Shiva, how she stood up to the corporate Goliaths of industrial agriculture, rose to prominence in the regenerative food movement, and inspired an international crusade for change.
Recalling his childhood and relationship with his mother, a film student tries to understand the origin of his love for cinema and tragedies.
A timely exploration into the complex links between the U.S. and China. Interspersed with remarks from journalists and experts, All Eyes and Ears interweaves the stories of U.S. Ambassador to China Jon Huntsman, his adopted Chinese daughter, Gracie Mei, and blind legal advocate Chen Guangcheng as they find purpose, identity and resolve amid the two nations’ evolving relationship.
Model, film star, muse, socialite, icon. Edie Sedgwick was the very first "it" girl of the Andy Warhol Factory scene. The arc of her life traced the rise and fall of the 1960s recklessness. After being the toasted by the whole of New York City, Edie died alone of a drug overdose in California at the age of 28. She was both the harbinger of celebrity culture and someone who stood entirely outside of it, an artist who painted life, bravely and spontaneously, with her own hand.
The connection between these three short films is initially indicated by their sound and music: In all three films, Lee Anne Schmitt does without direct sound and dialogue, letting the music of Jeff Parker accompany the images. In the first miniature, Schmitt films graves from the American Indian Wars as silent witnesses of a past that have left their traces on the collective American consciousness. Subsequently, we see blackandwhite street scenes in Hollywood, which are followed by almost familiar images – a garden bench, a bouquet of flowers. Thus history, the public and the private form a new, abstract and yet tangible unity.
Four older gay couples discuss their relationships, civil partnerships and their views on multiple topics such as spirituality, religion, love, gay rights, etc.