Vertical Expectations
Vertical Expectations is a documentary that explores the nexus between architecture, development and society through an ethnographic analysis of the current building of the Shard.
Yung Singh and Ministry of Sound present: The Birth of Punjabi Garage
Yung Singh and Ministry of Sound present: The Birth of Punjabi Garage The documentary has a wealth of unseen archive footage showing exactly how it was in the garages and studios of the young Bradford and Manchester lads from the beginning, to the events, weddings and festivals that marked their success. The documentary is bookended by Yung Singh and his infamous and iconic Boiler Room, giving credit to the elders who paved the way for the continuation of South Asian presence in British dance culture. This documentary was produced in tandem with Yung Singh and is the first documentary to explore the genre. Documentaries have covered Bhangra, the 80s Daytimers and the Asian Underground but the South Asian diaspora’s involvement in the early 2000s Garage scene has never been covered and we are therefore proud to bring this to you!
Vertical Expectations is a documentary that explores the nexus between architecture, development and society through an ethnographic analysis of the current building of the Shard.
The most popular breakdancer in ex-Yugoslavia, Hamit Djogani, better known as Djole Djogani, made a documentary about his life and collaboration with the biggest stars of regional music scene. With rich documentary material and recordings from private archives, Djogani gathers close associates again and creates an interesting story that testifies to a specific time in the 1990s.
An account of the short life of genius musician Jimi Hendrix (1942-70), probably the most talented and influential guitarist of the twentieth century: his humble beginnings in Seattle, his time in New York, his rise to fame in swinging London… Live fast, love hard, die young.
Learn how the amazing big ben operates
Life in the bustling Punjabi city of Rawalpindi before partition.
A documentary on the post-war redevelopment in the City of London — focusing on the attempt to build an ambitious network of elevated walkways through the city. Featuring interviews with professor of town planning Michael Hebbert (UCL), architecture critic Jonathan Glancey, city planning officer Peter Wynne Rees and writer Nicholas Rudd-Jones (Pathways), the film explores why the 'Pedway' scheme was unsuccessful and captures the abandoned remains that, unknown to the public, still haunt the square mile.
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This documentary in the Look At Life series – made by the Rank Organisation for screening in Odeon and Gaumont cinemas – was released in 1967 and anticipated a radical redevelopment of Piccadilly Circus, which never actually happened.
This British documentary looks at 40 years of the London Community Gospel Choir, focusing on co-founder Bazil Meade who travelled to the United Kingdom from Montserrat as a boy.
Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.
Romantic Warriors IV: Krautrock (Part 2) is the 2nd film of the Krautrock Trilogy, and explores eminent Krautrock bands from the South of Germany. Part 2 focuses on bands from Munich, Wiesbaden, Ulm, and Heidelberg, and highlights a more recent band from Aachen.
Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.
An intimate insight into the servant culture and lifestyle of the Viceroy of India and family, as they visit Simla (Shimla) and Lahore.
Based on Geoffrey Fletcher’s book, this captivating documentary exposes the real London of the swinging sixties. Turning its back on familiar sights, the film explores the hidden details of a crumbling metropolis. With James Mason as our Guide, we are led on an tour of the weird and wonderful pockets of London from abandoned music-halls to egg breaking factories.
Luis, a dancer and classical ballet teacher, experiences a connection between himself and dance despite his old age.
Edward Barton-Wright was one of the first Europeans to study Ju-Jitsu in Japan. Back in London, he founded a club where he taught the upscale society in self-defense. He combined the most effective martial arts of his time: Canne Vigny, Boxing, Savate and Ju-Jitsu. Barton-Wright became such an early pioneer of mixed martial arts (MMA). He called his self-defense art Bartitsu . The stick fighting instructor at the Bartitsu Club was Pierre Vigny, who optimized the techniques of classic French stick fighting for self-defense.
As the modernisation of London Underground continues, long serving A-Stock and C-Stock trains have been withdrawn from service, and their differing characters will slowly become a memory. London Transport Museum commissioned Geoff Marshall to record the transition between old and new trains.
Documentary detailing a farmer’s visit to the market in Rawalpindi.
Minimalist movie making at its best: kids learn the art of film language using illustrations and margarine boxes.
The final episode in our Mini-Docs series comes from musician and writer Jake Anderson, who explores the niche music genres which find an increasing audience in the North East. On a mission to discover outside-the-mainstream sounds and the driving forces behind their creation, Jake chats with musicians Me Lost Me, SQUARMS and Mariam Rezaei, along with some of the major players keeping these sonically-engaging sound makers doing what they’re doing, including Simeon Soden from Kaneda Records and Lee Etherington of TUSK. This mini-documentary features reflections on some of the most unique acts in the North East, what genre boundaries actually mean and artists’ hopes for the future of the North East’s alternative scene. This is an Art Mouse film for NARC. TV, written and directed by Jake Anderson.