Obituaries
A chronicle of lives lost in a school shooting. In the wake of another tragedy, we get a glimpse of each victim and see who they were, who they loved, who they hurt, and who they wanted to be.
Drawing on real-time, firsthand accounts and using official bodycam and audio, FRONTLINE, ProPublica and The Texas Tribune reconstruct the chaotic response to the Uvalde school shooting and examine the missteps.
A chronicle of lives lost in a school shooting. In the wake of another tragedy, we get a glimpse of each victim and see who they were, who they loved, who they hurt, and who they wanted to be.
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Three young Texans try to adjust to small-town life after experiencing the emotional toll of combat in the jungles of Vietnam.
A documentary about the killing spree of Brenda Spencer, the 16-year-old schoolgirl who opened fire on a school playground in January 1979, killing two men and injuring eight children. Her only explanation of her actions was "I don't like Mondays". This incident was the first ever school shooting of its kind, and inspired the Boomtown Rats' number one hit song I Don't Like Mondays
Best friends Silvia and Beba record their lives as they dance, make music, and face an uncertain immigration process in Texas near the Mexican border.
In the world of Major League Baseball no one has created a mythology like Nolan Ryan. Told from the point of view of the hitters who faced him and the teammates who revered him, Facing Nolan is the definitive documentary of a Texas legend.
Both cautionary tale and rallying cry, Shouting Down Midnight recounts how the Wendy Davis filibuster of 2013 galvanized a new generation of activists and reveals what is at stake for us all in the struggle for reproductive freedom.
For the three-channel video Salidas y Entradas Exits and Entrances, artists Jessica Hankey and Erin Johnson worked with applied theatre facilitator Gina Sandi Diaz to offer performance workshops at public daytime senior centers managed by the city of El Paso’s Parks and Recreation Department. With the senior center as a stage, the elders who participated in the workshops enacted social, political and geographical imaginaries for the camera. Through improvisation and performance exercises drawn from the work of Viola Spolin and Augusto Boal, themes emerge: the dynamics of the U.S.- Mexico border, the desire to be seen, the role of musical storytelling as a soundtrack to daily life, power dynamics, and gender as performance. As the boundaries between rehearsal, improvisation, and performance blur, the ways in which individual lives and sociopolitical realities merge together are foregrounded.
Using real cases, this documentary demonstrates the extent to which violent criminals can use social media to locate and manipulate victims.
Latino's in Texas talk about what it is like to grow up Hispanic.
Errol Morris's unique documentary dramatically re-enacts the crime scene and investigation of a police officer's murder in Dallas.
The extraordinary untold story of the heroism and sacrifice of the NYPD’s elite rescue squad - the Emergency Service Unit - on 9/11.
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In Texas, construction workers face the deadliest conditions in the country. This documentary follows three immigrant families who are rising up to seek justice and equality in an industry rife with exploitation.
Five friends embark on a 1,200 mile journey along the US-Mexico border from El Paso to the Gulf of Mexico to learn first hand what effect a border wall will have on the natural landscape and the wild animals roaming the land.
In October 2015, the evicted residents who had imprisoned on a false charge of killing a policeman assembled in a place for the first time after the Yongsan Disaster six years ago. They had occupied a watchtower against unreasonable redevelopment policies and in protest against violent suppression used by riot police in 25 hours of their sit-in demonstration. Their colleagues had died from an unknown fire, and they became criminals. The delight of meeting again lasts only briefly. The ‘comrades’ rip out cruel words while blaming each other.
The Police Tapes is a 1977 documentary about a New York City police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time. They produced about 40 hours of videotape that they edited into a 90-minute documentary.
Grandchild fraudsters scare their victims on the phone with so-called "shock calls". The losses run into millions. Month after month. Many victims are left severely traumatized. But the scam has a weak point. And the izzy team has found it. During a year-long investigation, izzy figurehead Cedric Schild pretends to be an elderly person and supposed victim on the phone. This not only makes for a few laughs, but also drives the perpetrators crazy - at the same time, the editorial team penetrates deep into the structures of the criminal clans. Thanks to more than 1200 minutes of recorded conversations from real shock calls, the izzy film "Die Enkeltrick Betrüger" shows all the tricks used by fraudsters for the first time and thus makes an important contribution to prevention. In cooperation with the law enforcement authorities, the perpetrators are arrested in front of the cameras.
This film is a revealing portrait of a tough cop with a big heart. Sergeant Bernie "Whistling" Smith walks the beat on Vancouver's Eastside, the hangout of petty criminals, down-and-outs and a variety of characters. His policing is unorthodox. To many drug users, petty thieves and prostitutes in this economically depressed area he is more than the iron hand of the law, he is also a counsellor and a friend.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.