Veteran catcher Crash Davis is brought to the minor league Durham Bulls to help their up and coming pitching prospect, "Nuke" Laloosh. Their relationship gets off to a rocky start and is further complicated when baseball groupie Annie Savoy sets her sights on the two men.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.
Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.
Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.
Two filmmakers juxtapose field recordings and documented moving images as an attempt to reconcile with their place in their desensitized semi-urban hometown in India.
An experimental, activist short-film following Quinn, who falls pregnant, but did not have the freedom to choose. So she takes matters into her own hands.
Shots of Paris on May 15, 2016 with a Parisian narrator telling us the story of May 15, 1848, when protesters finally pushed the establishment to let them have a popular vote to elect their ruler.
A sequence of 10 images presented in 10 groups of 400 alternating frames. The primary image of a bird is gradually disfigured by the successive introduction of competing imagery, yet the overall field seems to have its own life.