Prisoner of Honor
France, 1897. Colonel Georges Picquart challenges the French government when he discovers the obscure political maneuvers that led to the imprisonment of the Jewish Captain Alfred Dreyfus after being convicted of espionage in 1894.
France, 1897. Colonel Georges Picquart challenges the French government when he discovers the obscure political maneuvers that led to the imprisonment of the Jewish Captain Alfred Dreyfus after being convicted of espionage in 1894.
The Making of 'Back to the Future'
1972 in Haute-Savoie (France) : the Bertrand's farm, with a hundred dairy cows owned by three bachelor brothers, is filmed for the first time. In 1997, they were the subject of Gilles Perret's first movie, as they let their farm to their nephew Patrick and his wife Hélène. Nowadays, 25 years later, Gilles Perret take another look at this farm, managed by Hélène who will step down. Through their words, an intimate, social and economic history of the rural world.
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One-man armies, meet-cutes, casual strolls away from huge explosions — stars and industry insiders toast and roast these cinematic chestnuts and more.
This is a short film about Alice Guy-Blaché, the first female director of fiction in cinema history. Alice Guy was Léon Gaumont's secretary at the beginning of the last century and she was the first woman to ever direct actors in front of the camera. In 1895, the Lumière brothers introduced to the world the "Cinématographe", the first camera. Léon Gaumont decided to sell this revolutionary new device. Fascinated, Alice asked her boss for permission to use the camera to make her own films. Mr. Gaumont agreed only under the condition that she “would be able to keep up with her mail.” This short film is a poetic reverie that Alice Guy might have had in her time if only society at the time hadn't presented her with so many challenges.
Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)
An intimate chronicle of the shooting of Ran (1985), a film directed by the legendary Japanese filmmaker Akira Kurosawa.
A short documentary about the making of D. W. Griffith's controversial 'The Birth of a Nation'.
At 6:00 in the morning on the 1st day of January in 2013 80-year-old film-maker IM Kwon-taek started shooting his 102nd film, after his unintentional 5 years’ break. I visited the shooting scene with my camera and had stayed there until the end of that year. I’ve always wanted to record IM’s shooting scene, as I believed that there we could find his secret manual which reflects the master’s large experience. I’ve been through heavy snow to witness funeral scene. I’ve also been to the west coast to follow funeral cortege in the film. It was an experience to put the life in the frame alongside with the death. When the next spring came, the shooting finally ended.
Documentary discussing the casting and making of "Some Like It Hot", the film voted as the Best Comedy ever made by the American Film Institute.
Documentary about cartoonist John Callahan and the creation of his animated series Quads!
In Taiwan, there is a group of people participating in this race against time. They are hidden inside the film archive of New Taipei City’s “Singapore Industrial Park”, where the 17,000-plus film reels and over a million film artifacts have become their spiritual nourishment. Day after day, they shuttle back and forth inside, carrying their doubts, their learnings, and their faith. What they are doing is awakening these long-neglected film reels, then piecing together the no-longer-existent social atmospheres and lives of distant pasts recorded on them. And spending time in this archive has become everyday life for these film archivists and restorers.
A behind-the-scenes look at Roger Waters and Alan Parker’s 1982 film, “The Wall”
A look back at the making of Billy Wilder's 1959 comedy classic "Some Like It Hot."
An in-depth oral history of the production and development history of Robert Altman's "O.C. and Stiggs," featuring commentaries from the film's cast and crew.
This coming-of-age memoir takes a candid look back on a group of struggling creatives isolated in the Appalachian Mountains. Three generations of perseverance is expressed through voice and creativity as families labor through mortality and heartbreak in this raw insight into the importance of community.
National Geographic Wildlife Filmmakers Go Eye-to-Eye with Danger! They swim with sharks, confront venomous snakes, and stalk hungry lions. They're National Geographic filmmakers, and for these remarkable adventurers, capturing unforgettable footage in the wild is not just a job, it's a way of life. Join a cinematographer in the rain forest canopy as he goes to incredible lengths - and heights - to film the world's most powerful bird of prey. Witness the frustration of a filmmaker who just misses the scene-stealing shot of jackal pups greeting their mother in the Serengeti, and feel the exhilaration when he finally captures the event to perfection. Meet the talented professionals who go behind the camera every day and sometimes risk their lives to bring us extraordinary images of nature's most amazing creatures.
'Cold Lands' makes a personal journey through the images and cinema, guided by filmmakers and artist like, Theo Angelopoulos, Bego Vicario, Wim Wenders or Rut Hillarp among others. In this non-fictional road-movie their vision of what cinema is, of what is hidden behind the images, intersects with the world of beekeeping, architecture and the human landscape.
At the consulting service for immigrants at the Avicenne Hospital in suburban Paris, we observe the sorrow and powerlessness of the immigrants who come here.