
13 Dec 1966

Whom the Gods Wish to Destroy
A young hero defeats a dragon to find acceptance to the court of burgundy.
The beginning of the end is starting now
The Robber Mathias Kneißl became a legend in Bavaria. The film is based on the historical criminal case and describes the last year of the rebel and folk hero. At the age of 23, he is released from prison, where he has served an unreasonably harsh six-year sentence. When this becomes known, he loses his job as a carpenter and now wants to emigrate to America with his girlfriend. He hopes to earn the money for the journey by committing crimes. In the process, he fatally wounds a gendarme. Despite this, Mathias Kneißl does not leave the area and stays in the Dachau hinterland. Only when his girlfriend betrays him is he able to find his hiding place. The farm was besieged by 300 police officers for days and then shot up. Kneißl was seriously injured and treated in a clinic in Munich before being beheaded in Augsburg in 1902.
Mathias Kneißl
Mathilde Danner
Flecklbauer
Shepherd
Clairvoyant
Carter
Vöst
Moseder
Monk
13 Dec 1966
A young hero defeats a dragon to find acceptance to the court of burgundy.
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Inspired by the true events of one of France's most notorious non-violent robbers, Bruno Sulak, in the 1980s. He led multiple heists, then captured public attention for his many daring escapes from police custody...always to reunite with his beloved lover and accomplice Annie, becoming both France's Public Enemy #1 and an icon of Freedom.
11 Sep 1993
No overview found
21 Aug 2008
Even today, Mathias Kneißl (1875-1902) is considered a national hero in the collective memory of Bavaria. During his lifetime, he was the most wanted criminal in Bavaria and even Prince Regent Luitpold was reported daily on the hunt for the lawbreaker report. Again and again Kneißl's story has occupied the Bavarian artists: his life was retold in folk songs and murders, sung in ballads, filmed and treated in various plays. In his feature film version, the Bavarian filmmaker Marcus H. Rosenmüller relies on a rapid staging, opulent images and a moving love story.
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