Ang Tanging Ina
Desperate to provide a comfortable life for her children, Ina willingly takes all kinds of jobs available to her. But what happens when Ina's family continues to fall apart despite all her sacrifices?
Sacrifice of Domestic Workers
YAYA is a story about a filmmaker who explores the complex relationship between his family and the domestic worker who spent decades away from her family in the Philippines to raise his. This documentary is a tribute to all the domestic workers in Hong Kong, who has served as the backbone of Hong Kong's economy by unleashing a substantial female workforce into the economy and taken care of so many lives with love and care. You are all heroes in the hearts of the Hong Kong people. - Justin Cheung, the director
Desperate to provide a comfortable life for her children, Ina willingly takes all kinds of jobs available to her. But what happens when Ina's family continues to fall apart despite all her sacrifices?
Mortal Enteng Kabisote (Vic Sotto) and his magical fairy wife continue to face danger and adventure in this fourth film based on the popular Filipino television series "OK Ka Fairy Ko." The hazards include a time-traveling mirror, an evil dragon lady, a vampirish villain, a gun-armed bad guy and the ever-present aswangs. As always, Enteng must rise to the challenges to protect his beloved family from all the potential mayhem.
Although the Chinese government promised that Hong Kong would retain separate status until 2047, in recent years the Chinese state has consolidated its power over the metropolis. Large-scale protests by the populace have been brutally suppressed. This mix of documentary, fiction, and visions of the future reveals the current state of desolate depression among the people of Hong Kong. “A desperate attempt to capture the final moments of a sinking island”, as maker Chan Tze-woon himself puts it.
Cindy leaves her family and moves to the US to marry an American soldier. When her husband dies, he leaves her in debt and is forced to go back to the Philippines with her three blonde children to support them. She then meets Tony, a widower with blonde children as well and raises their children on what it means to be a Filipino.
Far West Nepal, where maximum labour migration to Bombay happens, is reeling under the impact of an HIV micro epidemic. This documentary is an in depth look into the brave Nepalese migrants’ life in a social, economic and political context.
Documentary about Hong Kong.
The extended Cheng family, which, like Aberdeen harbor’s Chinese namesake, represents today’s Little Hong Kong and its myriad of contradictions between traditions and modernity; superstitions and materialism; family and individuality.
Tragic circumstances bring together the wife and the mother of two migrant workers - one from the east, the other from west Nepal.
A homage to the social housing architecture that is so atypical of Hong Kong - especially the Kwai Shing West Estate. About half of the population lives in such building complexes, where one experiences a strong sense of loneliness. The neighborhoods are the scene of modern living conditions, but also of social protests, which have been punishable by life imprisonment in Hong Kong since 2020 due to a new law.
After refusing a ritual circumcision intended to usher him into manhood, Rene-boy (10), tries alternate methods to remove this mark of cowardice.
Three generations of a family get together for the 25th anniversary of Rick and Cristy while their daughter Tin appears clueless that her parents no longer sleep on the same bed.
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
The turmoil that has overtaken Hong Kong since its return to Chinese sovereignty in 1997 has spawned a new generation of young, passionately committed activist filmmakers; they want to tell Hong Kong's story with Hong Kong voices. And the best indie documentary to have emerged so far from the HKSAR is this year's Yellowing, by Chan Tze Woon, a 29-year-old with degrees in policy studies and film production. Hong Kong's fraught, tense relationship with its mainland Chinese overseers came to a head with the Umbrella Movement of 2014. A crowd of protesters stormed Civic Square on September 27. The next day police shocked most residents of the HKSAR by attacking the growing crowds with volleys of tear gas, whereupon a wide cross section of Hong Kongers occupied the streets in several areas and stayed for almost 6 weeks. Chan took his camera on the streets for 67 days during these events.
Dreaming of a better life, Balong counts the sacks of rice they have left, the money they need, and the little moments that led to an inevitable departure that will leave them all affected.
Torky is a bookkeeper working for Baba a millionaire cash management specialist. Because of some conflict in her business that puts her life in danger, Baba entrusts the safety of her son Justin to Torky who takes him home to meet his daughter Ice and Ching the street urchin that the latter took under her wing. Given that Justin is not particularly fond of Torky, how all four of them would get along under one roof becomes the focus of the story.
Amanda page stars as the tightly guarded daughter of a zany but loving couple. Played by Chiquito and Elizabeth Ramsey in this comedy of errors. She can't go out on dates, she can't attend parties, and even if she's allowed to, her parents have to go along. Then she meets the man of her dreams, played in the movie by. Gary Estrada, and when he starts to court her, her overprotective parents come running to guard her. Will she be able to pull the trick that will keep her parents from aborting the romance of her lifetime?
Heart Murmurs is a poetic dialogue between the filmmaker and Dean, a young man living in Hong Kong. In reflecting on his experience living with a congenital disability and HIV during the first years of the COVID pandemic, Dean expresses his sense of self in the face of regular medical challenges.
This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.
In fremder Erde (In Foreign Soil) documents the Muslim traditions of burial in Turkey and Germany, but above all, the paths the dead take to return to Anatolian soil.
Evangeline spends most of her time working late, editing TV commercials. Her work doesn’t leave her much time to spend with her boyfriend Joey or their son. In spite of having a family, she mostly keeps to herself, enjoying her independence. But when her priest brother Johnny is diagnosed with cancer, she’s suddenly called on to be a possible bone marrow donor. As her dysfunctional family starts to gather around the ailing Johnny, Evangeline is forced to come face to face with her failings.