Fogos em mim
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Kylie, a college nursing student troubled and traumatized by the recent events of her passing boyfriend, learns to find peace and strength through an ancient practice from the relationships around her.
After committing a gruesome act of violence, the fallen angel September reflects on their relationship with Rowan, the human who came to their aid.
Jess confronts a piece of her past on the platform…
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?
A film without a lens.
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
In a not so distant future artificial intelligence speaks to suffocating humanity. On the last journey, humanity is escorted by surreal entities, through twists and turns that led to humanity’s last breath.
June has had the same dream every night for the past three months. Lorelai is worried something bad is going to happen. Things get weird.
A female hotel employee wanders around different guestrooms and searches for an unreachable dream. Wandering in other people’s dreams, she encounters a mysterious guest and hears a story about a woman who dances deep inside her dream and a dancing procession...
To promote the Kamen Rider Fourze movie "Kamen Rider Fourze the Movie: Space, Here We Come!", Toei released this series of digital clips. A total of 28 webisodes were created, each divided into categories like the game show style "Horoscopes Ogiri" segment and "Shake Hands in the Rabbit Hatch". Two such categories like "Principal Hayami's Special Interview" and "Melancholy of Sarina Sonoda" serve to provide backstory for the main series.
The DVD is set before the Hyper Battle DVD, and features the content normally found in the Hyper Battle DVD (explaining the powers and weapons of the Kamen Riders), explained as Tachibana, with Ryusei and Gentaro's help, gathers the data of the 40 Astroswitches to find out what and where the mysterious mass of Cosmic Energy is.
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A man blows balloons until they burst and thus expresses his accumulated aggression.
A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.
Three weeks to make three films. Filmed in my last semester before College. "Time", "One Night", "8x8".
To forget about the end of a relationship, a woman fantasizes about an ideal one. Fantasy and reality begin to melt into one another, but the past finds a way to rear its head again. Films used: Notorious (1946) Gaslight (1944)
A mysterious man is sent to trial for his actions in global village, now he needs to plead his case to the dookies
Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.
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