
01 Feb 2022

Da Ponte Pra Cá
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01 Feb 2022

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02 Feb 2017
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15 Dec 2022

Far beyond Marvel and DC, comics are also made by Brazilians for Brazilians. Follow the journey and struggles of those who are from the outskirts of the city and try to make a living from this art.


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08 Feb 2022

MC battles are the basis of Rap and in São Luís, this type of manifestation has been growing organically in different peripheral communities organized by residents and local artists. Even without great incentives, the battles have spread throughout the city and created a network of creative ideas that oxygenate the outskirts.

21 Aug 2023

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21 May 2023

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23 Jun 2022

A man breaks into people's houses at night and observes them, without stealing or violating anything. He simply looks, putting himself in their positions and searching for something he has lost within him, but not thinking that he could be being watched too.

30 Jul 2023

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21 Aug 2023

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31 Oct 2025

In a family marked by grief, Clarice is the "Third Clef": the granddaughter trying to follow in the musical footsteps of her late grandmother, Lola. But her dream collides with the resistance of her mother, Verônica, who, consumed by deep depression, sees music as the root of the family's ruin. On the eve of a decisive contest, the tension between the daughter's desire for a future and the mother's pain from the past reaches a breaking point, forcing them to decide whether to live in silence or find a new harmony.

09 Nov 2022

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08 Jan 2024

“A Noiva Natal” is a photo film narrated by the city of Natal itself, the capital of Rio Grande do Norte, in the first person. The short film, divided into three parts alluding to mourning, records a vision of the capital after being neglected and forgotten by the Public Authorities and its inhabitants.

11 Dec 2025

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01 Nov 1955

A weekend in the mountains.

01 Dec 2017

"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)

15 Mar 2018

Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.
01 Jan 2004
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01 Jan 1986

"[This film] embodies (...) one of his [Hahnemann's] most mature films. Rainy rides along Schönhauser Allee, which seems to be depopulated. Past the 'Viennese Café', the meeting place par excellence. From a moving train the view of idyllic landscapes, on the horizon a castle. The camera tilts, turns, until the world is upside down. Scenes of an action with the artist friend Heike Stephan: in the sanctuary Hahnemann, black painted with a white turban, and Stephan, stack cages with rabbits on top of each other. Then TV recordings of a discussion forum with Jean-Luc Godard and Rosa von Praunheim - scenes as from another planet. From the off again and again a poem Hahnemann, recited by Peter Mario Graus. The diction is initially calm, almost factual, increases, eventually overturns, but then falls back, resigned. " (Claus Löser in "Gegenbilder")