Dieudonné - Le Mur
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Social networks, exacerbated militancy, Cancel Culture, the Covid crisis has only accelerated the emergence of the new world... Fabrice Eboué already feels overwhelmed... After the success of "Plus Rien à Perdre" and this long period of pandemic, Fabrice Eboué returns to the stage with his fourth and new show!
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A show, a single objective: to push the limits of fun! On the program: laughter, sharing, dancing, singing, disco balls, glitter, dreams and incredible surprises. Prepare to experience an extraordinary evening!
Dieudonné returns over his 10 years of solo career... In an original direction(fabrication), he reviews all his hilarious characters who made of him the most prolific humorist of his generation.
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This fifth solo show is a personal story, a short treatise on the disappointments, the distractions and the choices at the heart of the atypical life of a privileged person. Captured on 16mm motion picture film at the Cabaret Lion d'Or in May 2022.
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Marc-Antoine Le Bret returns with a new show: "Solo". Still alone on stage, as the title suggests, he is nonetheless accompanied by a hundred characters whose voices he imitates with consummate talent throughout a bouquet of new sketches. In this show, the audience gets a little glimpse of what could happen if the world started turning upside down: a real post-apocalyptic show, before the end of the world, in short. But fortunately, humor is there to help swallow the pill. Didier Deschamps, Cyril Lignac, Stéphane Bern, Nelson Monfort, Marine Le Pen, Nicolas Sarkozy, Laurent Ruquier, Marlène Schiappa, Chantal Ladesou... the list of his imitations is even longer. He is now one of the most talented imitators of his generation. Marc-Antoine Le Bret is back on stage with a new show, SOLO.
L'Autre c'est moi est le troisième spectacle de l'humoriste Gad Elmaleh, en 2005.
Dans ce spectacle, mis en scène par sa soeur Judith Elmaleh, il parle de son enfance, de son fils et de son père ; 750 000 places seront vendus.
Iconic Thai comedian Udom Taephanich recounts his misadventures and sharp observations from uncomfortable encounters to the absurdities of daily life.
Caroline Estremo, a nurse by profession, decided to bring her first book to the stage: "#infirmière". Instead of plunging into tragedy, she opts for humor: "I wanted to talk about it with humor, because it's more listenable for the general public. We've been on strike for years, marching in the streets, but I have the impression that people no longer hear us or see us. So I chose a different strategy: to make people laugh and make them laugh." It is thus that her one-woman show was born.
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