Bachar à la ZAD
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A colourful miscellany of footage from both sides of the Pennines.
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BEAUTY WILL SAVE THE WORLD charts the journey of 19 year old Tecca Zendik, a contestant in the Miss Net World contest, Libya's first every beauty competition. Colonel Muammar Qaddafi hosts this competition and the film includes extraordinary footage of the Colonel. Tecca's story reveals an incredible conclusion no-one could have guessed when private jests transported the beauties to the country feared by the West in the 1980's.
It was one of the greatest heists in British history. £3 million – worth over £40 million today – stolen from a moving train by a gang of thieves who almost got away with it.
Includes all new footage which captures the WP&YR experience and history from Skagway, Alaska to Fraser, B.C. and from Fraser, B.C. to Carcross, Yukon. Fully narrated with insights and historical context.
A day in the life of a train station.
A short documentary about Father Christmas' annual six-day trek through the Australian desert aboard the Tea and Sugar Train.
Impressionistic picture of the Third Avenue Elevated Railway in Manhattan, New York City, before it was demolished. Preserved by the Academy Film Archive in 2010.
A journalistic investigation, built not on rumors and assumptions, but on direct evidence, revealing the true mechanisms of podium coronations. Hidden camera footage of negotiations with the owners of the largest national beauty contests and an attempt to answer the question of why these people are not yet in prison. Famous people on the jury are not a guarantee of fair judging. Irrefutable evidence of the corruption of the so-called “stars” who elect the next Miss and Mrs. The collection and subsequent theft of funds for charity is a side business of the owners of fraudulent shows. What actually awaits the titled Misses after purchasing the prize? And what do children's beauty pageants turn out to be like for young participants?
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In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.
“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”
Documentary featuring a cavalcade of Northern comedy stars including the great Frank Randle, George Formby, Arthur Askey, Norman Evans and many more. The North of England has always enjoyed its own very particular brand of comedy, best seen today in Coronation Street. 80 years ago however Mancunian Studios produced feature films for the northern masses. Funny Up North tells the story of the Mancunian Studios, its eccentric owner John E Blakeley and its cavalcade of stars including such household names as Arthur Askey, Jimmy Jewell, George Formby and the legendary Frank Randle. Hosted by Professor Chris Lee, the authority on northern cinema, Funny Up North takes you on a journey from its humble beginnings to its sad demise in the 1960s.
A unique individual who collects almost everything reveals some of the darker things he has acquired, including JonBenet Ramsey's Tricycle. An investigation of pop culture, media, tragedy and the items we possess.
Two boys aged 9 and 10, Jan and Christoph, want to visit their grandma, who lives in another town. They travel by train, on their own. They buy their tickets, find the right platform and get on the right train. And they know how to behave on the train. So, as expected, the train trip to Grandma's is a safe affair and great fun for the boys.
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Shot on the farm of the Director's grandfather, the short film "Remember me?" shows how certain places can be sources of great inspiration and nostalgia.
An audio-visual essay, which reflects upon & compares metro systems around the world. It is an exploration of a world inside the world as well as feelings, fascination, obsession, fear and themes - of survival, control & silence.
As the modernisation of London Underground continues, long serving A-Stock and C-Stock trains have been withdrawn from service, and their differing characters will slowly become a memory. London Transport Museum commissioned Geoff Marshall to record the transition between old and new trains.
Documentary about Swedish emigration to Argentina via Brazil.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.