Australien Skies 3: Search for the Min Min
Follow filmmaker Don Meers on a paranormal road trip across the sunburnt landscapes of the Australian outback in hopes of solving one of Australia’s greatest mysteries: the Min Min light.
Witness country come alive as Mark Cora, proud Minjungbal man and cultural educator unveils the rich contexts that shape his evocative artwork, The Wind Dancer.
Follow filmmaker Don Meers on a paranormal road trip across the sunburnt landscapes of the Australian outback in hopes of solving one of Australia’s greatest mysteries: the Min Min light.
Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the Western Australian regional town of Geraldton in the mid 1960s.
During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.
Taking us through Bangarra Dance Theatre’s spectacular growth, we follow the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse.
What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.'
Director Anna Broinowski explores how Pauline Hanson's speech in 1996 and the decades of debate that followed has influenced Australia today; the impact of her political career on modern multicultural Australia, and the people who have helped her transition from local fish shop owner to Member for Oxley. Featuring many of Hanson's critics, opponents, advisors and commentators, from former Prime Minister John Howard, to current members of the media, including Margo Kingston and Alan Jones; and leading Indigenous commentator, Professor Marcia Langton.
Filmmakers Sam and Amy journey into rural Australia to explore how the legacy of an American legend has transmitted and warped itself over time, and across the globe, resulting in the 30th annual Parkes Elvis Festival.
Anne Hamilton-Byrne was beautiful, charismatic and delusional. She was also incredibly dangerous. Convinced she was the reincarnation of Jesus Christ, Hamilton-Byrne headed an apocalyptic sect called The Family, which was prominent in Melbourne from the 1960s through to the 1990s. With her husband Bill, she acquired numerous children – some through adoption scams, some born to cult members – and raised them as her own. Isolated from the outside world, the children were dressed in matching outfits, had identical dyed blonde hair, and were allegedly beaten, starved and injected with LSD. Taught that Hamilton-Byrne was both their mother and the messiah, the children were eventually rescued during a police raid in 1987, but their trauma had only just begun.
Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.
Originally broadcast on ABC's True Stories in 1993, Feed Them to the Cannibals tells the story of Sydney's Gay and Lesbian Mardi Gras. It was the first time cameras were allowed at Sleaze Ball and the Mardi Gras Party.
A road safety film for pedestrians in city traffic. Demonstrates typical unsafe practices.
A year in the life of troubled Australian graffiti artist Justin Hughes.
Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the New South Wales regional town of Wagga Wagga in the mid 1960s.
Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the South Australian regional town of Mount Gambier in the mid 1960s.
Documentary by John Pilger looks at the awful truth behind white Australia's dysfunctional relationship with Indigenous Australians
A new songline for 21st century Australia - a fresh look at the Cook legend from a First Nations' perspective - the songline tells of connection to country, resistance and survival and features the cheeky, acerbic and heartfelt showman - Steven Oliver and a host of outstanding, political Indigenous singer/songwriters.
Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?
The Queensland country town of Warwick was shocked when a flock of sheep was brutally massacred on a local property. They were even more shocked when they discovered the killings were, in fact, a sacrificial offering to Satan. For the first time, John Burdoe, the teenager who started this satanic cult, tells how he planned and executed the bloody ceremony. He also tells how he came close to stabbing one of his followers, a young man who later died in mysterious circumstances.
On June 21 2007, the Howard Federal Government launched an intervention into Aboriginal communities in the Northern Territory. It was one of the most dramatic policy shifts in the history of Aboriginal affairs. Relentless media attention focuses on ideological arguments for and against the Intervention, while the voices of those affected by the policy are rarely heard. For this film more than 40 Alice Springs town camp residents were interviewed in depth over the course of eight months to find out the answer to the question - is it working?
Reveals a revolutionary chapter in Australian history, the Women’s Liberation Movement (1965 -1975). Interweaves fresh archival footage, personal photographs, memorabilia, and personal accounts from activists all around Australia to show how a daring and diverse group of women joined forces to defy the status quo, demand equality, and create profound social change. These women defined one of the greatest social movements of the 20th century, sometimes at great personal cost.