Shelley in Wonderland
Shelley is a timid elderly lady who is competing in the Miss Senior USA pageant. Immersion in an extravagant world that also touches on the universal need for visibility, beauty and being included.
Shelley is a timid elderly lady who is competing in the Miss Senior USA pageant. Immersion in an extravagant world that also touches on the universal need for visibility, beauty and being included.
Filmmaker Sophie Dros enters into a dialogue with strong women in a powerfull document about being a woman in the Netherlands today. Inspired by Simone de Beauvoir's essay The second sex, filmmaker Sophie Dros (winner of the NFF Debut Competition 2017) talks to four women and a group of young girls. Together they go in search of universal stories; about dealing with expectations, empathy and connection, desires, fear, need for confirmation and losing control.
While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.
No overview found
To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.
No overview found
The stories of four Iranian families who emigrate to Canada and the city they leave behind. As departure time approaches, social spaces become places of memory, fading into the distance.
Then, now, where? how?
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
Augusto M. Torres makes a tour of images in honor of the CIRCUS THEATER of Orihuela.
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.
No overview found
Inspired by Lois Patiño's short movies project called "Paisaje-Duración" (Duration-Landscape) and Hiroshi Sugimoto's photo series "Seascapes", "Duração-Diferença" (Duration-Difference) reveals the difference through duration, through time; this short experimental movie seeks to capture, as Patiño and Sugimoto achived, the immanence as the entrance for something more - or something in between.
Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.
For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
"Birth is not a beginning and death is not an ending. They are merely points on a continuum." - Elisabeth Kübler-Ross
Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.
In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.
No overview found
A short film about life.