Red Herring
When Kit Vincent, a young filmmaker, receives a terminal diagnosis aged 24, his first instinct is to turn on his camera and document those closest to him.
is it enough if im gonna be nothing in a world that i can be anything?
"Cause all the music you loved at sixteen, you'll grow out of. And all the times they will change, it'll all come around", Lorde humming in her song, Stoned at the Nail Salon (2021). It gets me, 15 years old Alma, into something that she fears the most. Getting old. With the fear that she can't be as joyful as her teenage years and living the life as she supposed to be. But in this love letter wrapped in video form, I just hope Alma and her little self know that her life is her own personal space, she can do anything, personalize everything, and get creative with all of her ideas. Your life supposed to be fun according to you, and your fears should be wrong because you have all of those control upon how she's going to live her life.
When Kit Vincent, a young filmmaker, receives a terminal diagnosis aged 24, his first instinct is to turn on his camera and document those closest to him.
At the age of 12, Janny, Lisa, Debby and Michelle leave their home for a sports school in the East German province to become wrestlers. A documentary about coming-of-age between boarding school corridors, wrestling gyms and boy band posters.
A coming-of-age documentary that follows a group of young filmmakers as they make their first feature film, Scuba.
A reflection about memory, the digital world and the files that we generate daily through the audiovisual gallery of a mobile phone
Documentary about a group of young idealistic friends in their squat in Amsterdam. Chased by the police and the press, they moved from squat to squat, with a clear message: don't make the city too expensive for the new generation of Amsterdammers. But living with such a large group and the flaws of the squat begin to take their toll. When the squatters collective falls apart halfway through the film, the filmmaker is left disillusioned and decides to confront the young squatters with her feelings of disappointment.
As her adolescence gives way to the obligations of motherhood, troubled Gemma matures in Motherwell, her Scottish hometown, heavily dependent on the steel industry. Unfortunately for her, her hedonistic way of understanding the world does not fit in with the philosophy of the rest of the villagers, so trouble soon follows.
On the Guajira peninsula in northern Columbia the old traditions of the indigenous Wayuu still hold sway. As soon as they begin menstruating, young women have to go and spend a year in a simple hut where only a few women are allowed to visit them. Contact with men is taboo. The grandmother is chiefly responsible for preparing the girl for her role as a woman during this period of seclusion. Pili is 12 years old when, for her grandmother's sake, she decides to follow this custom. But does she really know what she is taking on?
Four precocious preteens perfect their lip-synching and runway walks in anticipation of the biggest drag performance of their lives at Montreal Pride, in this fierce and joyous celebration of acceptance and self-discovery.
A young man decides to join the army. He becomes the drummer in the military band, and his everyday life is now a combination of military training and music. What does the Argentine Army do these days, more than thirty years after the dictatorship? What does it mean to be a soldier in a country without wars?
TMZ exclusively sits down with Arnold Schwarzenegger and Sylvester Stallone as they discuss for the first time how their once-fierce rivalry led to two Hollywood icons forever being friends and brothers in arms
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The coming of age story of Shéár Avory, a 17 year old trans* aspiring social justice advocate in Los Angeles who navigates housing instability and familial dependency on their journey to adulthood. Shéár depends closely on their mother for continued access to their medical transition, though struggling in her recovery from addiction, she is unable to always offer Shéár the support they need. An observational piece, the film aims to ask, what does coming into adulthood actually look like, for a young Black trans* femme in today’s America?
In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.
A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilience, strength, and unique perspectives on womanhood through performance art.
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The documentary portrays the desires and ftures of four young people from the third year of secundary education in Chile. Two of them attend the industrial high school in the San Joaquín commune, where they have already begun their training as a textile technician. They both have dreams, they want to study, work, start a family and improve themselves. On the other hand, at the exclusive Saint George school, two students study in privileged conditions. They want to be professionals and develop through the arts. This is the portrait of two worlds located less than 20 kilometers apart and that can only be together in the audiovisual montage. It is the manifestation of the coincidences and contradictions that exist between the realities and the discourses of four young Chilean students in a fundamental stage for their future.
In the year of 2022, a late teenager and their friends film moments they would prefer not to forget: their long season.
Six girls coming of age, ready to become something extraordinary.
After May 1968, they experimented with communities, squats or free love, with the hope of real change. Today, at retirement age, they live in new places and promote ways of living better and growing old together. What if they were right, these former protesters whose utopias have been muted by triumphant individualism?
A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.