Ghostlight
When a construction worker unexpectedly joins a local theater's production of Romeo and Juliet alongside his estranged teenage daughter, the drama onstage starts to mirror his own life.
Mix a good amount of Monty Python, a touch of the Marx Brothers, a splash of Buster Keaton, a hint of Benny Hill, shake it all up, and you get 'No Limit.' Friday, May 13, 1964, it's the Cold War, but in reality, it's hot. A group of American bombers has mistakenly received the order to bomb Moscow. We need to remind you. There isn't much time... But a little. But not much. Just a little. So stay calm.
When a construction worker unexpectedly joins a local theater's production of Romeo and Juliet alongside his estranged teenage daughter, the drama onstage starts to mirror his own life.
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Why do we often go to dinners we don't want to attend, to see friends who aren't really friends anymore? Out of habit? Out of kindness? Out of cowardice? Intoxicated by the idea of tidying up their schedules by sorting through their old friends, Pierre and Clotilde Lecoeur (played by ERIC ELMOSNINO and LYSIANE MEIS) decide to organize farewell dinners, the ultimate form of friendly divorce. However, by choosing - as their first victim - Antoine Royer (played by GUILLAUME DE TONQUÉDEC), their oldest friend, Pierre and Clotilde are unaware that they are getting caught up in a downward spiral.
François Pignon, an accountant in a condom factory, learns that he is going to be fired. Already overwhelmed by personal problems, he decides to throw himself out the window. He is stopped in his tracks by his next-door neighbor who suggests an unexpected plan to keep his job: pretend to be a homosexual. Assuming that in this age of political correctness, one does not fire a gay man, he manages to convince Pignon to play along while remaining a discreet and shy little man... What will change is the way others look at him. Pignon will thus benefit from an unusual reintegration by coming out of a closet where he had never entered.
Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.
"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi
The 2024 Senior BA students would like to invite you to a Playdate!! Bring your blankets, stuffed animals, and pillows as we celebrate the path that got us to where we are!
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An artist is asked to write by a con artist agent and an improvised historian, a 'performance' to remember Giovanni Battista Casti three hundred years after his birth. A situation and homage that results in a satirical transposition of today.
Embark on a thrilling journey with two siblings, Hazel and Ivy, who win coveted tickets to a supposed utopia known as Paradise. Eager for a new life, the duo sets sail for the luxurious Isle Mirage, a temporary stay for the winners and a haven for the wealthy. However, as the facade begins to crumble, the siblings and their new friends discover the shocking truth behind Paradise's deceptive allure. The disparate group of teenagers must band together to expose a corrupt government, navigate betrayals, and confront the harsh realities of their disillusioned paradise. Will they succeed in dismantling the clandestine operation and forge a true paradise, or will their dreams shatter like illusions on the Road to Paradise?
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In her attempts to make a splash on Broadway, a lively would-be-actress lands herself in hot water with the mob.
Stuck in a depressing and mind numbing routine, Pierre decides to trade the sweaty atmosphere of the factory for the conditioned air of a hotel room. Locked up with three other tenants in a dreary and dim-lighted suite, he is forced into an idle and aimless lifestyle, no more fruitful than the mindless hustle and bustle he left behind — that is, until this oppressive dullness gives birth to an idea…
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Andrea Pennacchi questions whether it is still possible to restore the Homeric poems in all their power and tries in his own way, starting with the literal text and then enriching the narrative with reflections, memories, insights and fantasies.
The film adaptation of Kazuo Kikuta novel "Kumo no Ue Dangoro Ichiza", which enjoyed great success at the performances of the Toho Takarazuka Theater at the end of the year. The troupe "Kumo no Ue Dangoro" continues to tour from town to village. The small cast of the troupe includes its leader (Kenichi Enomoto), Norizo (Norihei Miki) and Taizo (Mutoshi Happa), who play female roles - they are all super actors, each of whom plays five roles. Dan Goro dreams of performing in a major theater and tries to put on a big show with a young man he meets in Shikoku named Sakai (Frankie Sakai), but...
It's Easter time in Crisper County and cable news reporter Marlee Meade (Petunia Rhubarb) is hunting for a way to help others. On a tip that the old town theater will be shut down, Marlee cooks up a plan to save the stage and make a difference through the power of musical theater! With a cast of costume-clad townies, massive props and a 20-foot robot rabbit - "Up With Bunnies" is hatched! There's only one thing missing - the star of the show! When news spreads that singing sensation Cassie Cassava (Melinda Dolittle) is arriving to perform in her hometown church's Easter service, Marlee gets worried. Concerned about the competition, she schemes to steal the starlet for her own pageant! But when things go haywire, will it be curtains for Marlee's dreams - or will she discover the true meaning of Easter and what helping others is really all about?