Koko Sees Spooks
Koko the clown encounters supernatural beings.
G-G-GUARANTEED! YOU'LL BE SCARED UNTIL YOU LAUGH YOURSELF SILLY!
Luther Heggs, a typesetter for the town newspaper, pitches an idea for a story about a local haunted house where a famous murder/suicide occurred 20 years earlier. After the editor assigns Luther to spend one night alone in the mansion, Heggs has a number of supernatural encounters and writes a front page story that makes him a hometown hero...until the nephew of the deceased sues him for libel.
Koko the clown encounters supernatural beings.
Billy Bevan and Andy Clyde are hobos who happen upon a train and are hired as cooks.
In the third movie in Monogram's "Father" series, patriarch Henry Latham buys a cow in order to bypass the town's milk tax.
Frank Drebin is persuaded out of retirement to go undercover in a state prison. There he has to find out what top terrorist, Rocco, has planned for when he escapes. Adding to his problems, Frank's wife, Jane, is desperate for a baby.
Blake Washburn blames manufacturer MacFarland for his defeat in the race for re-election to the state legislature. He takes over his uncle's newspaper to take on big business as an enemy of the people. Miss Martin works in the "Herald" newspaper office. When tragedy strikes, Blake must re-examine his views.
1920, rural Ireland. Anglo-Irish twins Rachel and Edward share a strange existence in their crumbling family estate. Each night, the property becomes the domain of a sinister presence (The Lodgers) which enforces three rules upon the twins: they must be in bed by midnight; they may not permit an outsider past the threshold; and if one attempts to escape, the life of the other is placed in jeopardy. When troubled war veteran Sean returns to the nearby village, he is immediately drawn to the mysterious Rachel, who in turn begins to break the rules set out by The Lodgers. The consequences pull Rachel into a deadly confrontation with her brother - and with the curse that haunts them.
Two bumbling plumbers are hired by a socialite to fix a leak. A case of mistaken identity gets the pair an invitation to a fancy party and an entree into high society. As expected, things don't go too smoothly.
Moe, Larry and Curly appear in short subjects linked by ventriloquist Paul Winchell and his dummies.
Parisian nightclub owner Simone Pistache is known for her performances of the can-can, which attracts the ire of the self-righteous Judge Philipe Forrestier. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her boyfriend, lawyer François Durnais.
An industrialist is urged to run for President, but this requires uncomfortable compromises on both political and marital levels.
Dave Joslin, the managing editor of a big-city newspaper, is demoted and moved to the Miss Lonely Hearts column-writing department by the newspaper's publisher, J. B. Grennell, because Joslin refuses to desist in printing stories linking a gangster, Matthew Keever, to a murder. But Joslin, aided by Kit Williams, a newspaper woman with whom he is in love, investigate the murder case on their own time.
As novice detectives, Bud and Lou come face to face with the Invisible Man.
Harry and Willie are scammed into buying the Thomas Edison studio lot by a man named Gorman. They decide to follow Gorman's trail to Hollywood where, unbeknownst to them, he has taken the identity of a foreign film director. The lads wind up as stunt doubles in film the which Gorman is now shooting, while the conman tries to have the bungling pair done away with before they realize who he really is.
Lost Caverns Hotel bellhop Freddie Phillips is suspected of murder. Swami Talpur tries to hypnotize Freddie into confessing, but Freddie is too stupid for the plot to work. Inspector Wellman uses Freddie to get the killer (and it isn't the Swami).
Two ex-soldiers return from overseas--one of them having smuggled into the country a French orphan girl he has become attached to. They wind up running into their old sergeant--who hates them--and getting involved with a race-car builder who's trying to find backers for a new midget racer he's building.
Bud and Lou are the owners of the amusement park Kiddieland. Bud, a compulsive gambler, gets in trouble with the mob, and Lou finds himself struggling to keep his adopted children. When Bud is forced to make a shady deal, Lou tries to arrange a deal with the DA, but winds up framed for murder.
Molly, her brother, Slats, and his pal, Oliver, are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby's progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school's mortgage if Molly isn't expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.
After Flash Fulton and Weejie McCoy take pictures of a bank robbery, they're lured to the mountain resort hideout of the robbers, where they meet an old friend and his band.
A foolish but devious thief spends his time stealing portraits of rich families and selling them to the highest bidder. But a woman investigator knows how to trap him and teach him a lesson. One day, the thief breaks into an aristocrat's house but is surprised by the investigator. She has just taken his picture and stolen his own portrait !
In the gay '90s, cardsharps take over a Mississippi riverboat from a kindly captain. Their first act is to change the showboat into a floating gambling house. A ham actor and his bumbling sidekick try to devise a way to help the captain regain ownership of the vessel.