Political Animals
The story of four pioneering lesbian politicians and the battles they fought to pass a wide range of anti-discrimination laws.
Democracy the hard way!
FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.
The story of four pioneering lesbian politicians and the battles they fought to pass a wide range of anti-discrimination laws.
A look behind the curtain of Washington politics following three "renegade" Republican Congressmen as they bring libertarian and conservative zeal to champion the President’s call to “drain the swamp.”
The Habsburg Dynasty had ruled large parts of Europe and the world for 650 years. During World War I, however, the mighty Austro-Hungarian Empire sowed the seeds of its own demise. At the height of World War I, the world of the Habsburgs was on the brink of collapse. Almost exactly 100 years ago to the day, in April 1918, the most sensitive diplomatic mission of the First World War became a Europe-wide scandal: the so-called "Sixtus Affair". Secret negotiations between the Austrian imperial family and France were supposed to bring peace to the Danube monarchy – and their failure caused the war to escalate and the Habsburgs to fall.
The duel between Pierre Péan and Edwy Plenel revisits some of the great moments of French political life and tells the story of more than 30 years of journalism in France. From distrust to attack, from revenge to caricature, the two icons of French journalism, Pierre Péan and Edwy Plenel, have always been at war. Everything opposes them: their working methods, their vision of the profession and even their way of being. Pierre Péan has always worked alone, in secret, while Edwy Plenel was looking for his place in the collective, heading for the upper echelons of the media... In the 1980s, both men became stars of journalism. In the 1990s, with his best-selling investigations, Péan invented his own independent business model, while Plenel became editor of Le Monde. Their exceptional careers have changed the way news is reported in France
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
The tumultuous history of the Louvre Museum, founded in 1793, and its fabulous art collections, an immortal testimony to the destiny of France and all of Europe.
Ningwasum follows two time travellers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction.
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FRANKREICH WIR KOMMEN is a highly enjoyable documentary, obviously intended for TV, but showing at film festivals. It shows us the highlights of the 1998 World Cup Championships in France through the eyes of several interesting and diverse fans of the Austrian national team. Entertaining, even for those not interested in football.
Follows dub poet master Linton Kwesi Johnson out of the recording studio onto the Brixton streets.
12-episode docuseries on the life and art of Italian baroque painter Caravaggio.
After the Ballot is a full-length documentary portraying the gruelling everyday life of two Members of Quebec's National Assembly who, although at opposite ends of the political spectrum, share the fact that their sole power lies in their convictions. One is Daniel Turp, the PQ Member for Mercier. The other is Charlotte L'Écuyer, Liberal MNA for Pontiac. The film aptly illustrates that ordinary MNAs have very little authority since the real power is held by ministers who are subject to the ups and downs of a globalized economy. Meanwhile, their fellow citizens keep asking for the impossible…
In 2015, a new spanish political party, named Podemos, made history by becoming the third force of the parliament, just two years after its creation. This is how it happened.
A video polemic, based on Heathcote Williams' investigative poem 'Royal Babylon: The Criminal Record of the British Monarchy' - every film a crime. The collective at Handsome Dog have used the best of new media to present a video polemic based on Heathcote William's investigative poem "Royal Babylon: The Criminal Record of the British Monarchy". Sixteen short films have been made the chronicle the crimes of the Royal Family and their ancestors: RB intro, Killing an Ibis, Mad Monarchs, Michael X, Harry Trouble, I Danced with a Man, Foot in Mouth, Folk on the Hill, Knight Hoods, Milton Gas, Swift Justice, Raj Doubt, Gaunt etc., Koh i Noor, Paine and Thoth, Blake Acres Zappa, Glitter Freeze. Written by Margaret Cox
A journey through the masterpieces and obsessions of the Genius of the Impressionism, down the River Seine, from Le Havre to Paris and then up the river towards Argenteuil, Poissy, Vétheuil, Giverny – ending in Paris. A tour of the Museums displaying Monet's masterpieces: the Orangerie Museum, the Marmottan Museum, the Orsay Museum, ending in Monet's house and gardens at Giverny.
Artist Grayson Perry has been working behind the scenes at the British Museum to stage his most ambitious show yet: The Tomb of the Unknown Craftsman. Given free rein to choose whatever he wants from the Museum's vast collections, Perry has also produced some 25 new works of art, from his trademark ceramics to a working motorbike. Imagine follows Perry for more than two years as he creates his own imaginary civilisation at the heart of the British Museum.
Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.
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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
"GENERAL IDEA: Art, AIDS and the fin de siècle is a humorous, informative and ultimately poignant documentary about General Idea. Formed in 1969, they produced art that targeted and mimicked media, consumerism and celebrity, creating a revolutionary new spirit of art making. Interviews with AA Bronson, the sole survivor of the trio, lends personal relevancy to this story of art and sexual politics. GENERAL IDEA: Art, AIDS and the fin de siècle is a tale of love, fame, overwhelming loss and, ultimately, renewal." -AGO.net