A Cycle of Cloud and Rain
An anthropomorphic cloud shares how it achieves small wins in this natural cycle of life, one that dwells on the commonality that suggests “mga ulap tayong nagiging ulan".
This short documentary documents the making of the film the Quay Brothers shot at, and on the subject of, the Mütter Museum of The College of Physicians of Philadelphia, the first film the internationally-known filmmakers have made in the U.S.A.
An anthropomorphic cloud shares how it achieves small wins in this natural cycle of life, one that dwells on the commonality that suggests “mga ulap tayong nagiging ulan".
Against the background of flocks of sheep at pasture, mules walking down unpaved roads, tractors in the fields, and isolated figures in a deserted village, a caption explains that Barbagia is a vast region in Sardinia; Orgosolo, Oliena and Mamoiada are villages of shepherds and the men spend most of the year far away, with their flocks. This is why the houses and the children are entrusted to the women, who cut the wood, work the fields and prepare bread, shepherds’ bread.
A man dreams of a woman. The woman is, in turn, interested in someone else. The man abandons his attempts to attract the woman's attention because he has discovered a new object of desire. The woman, in turn, becomes interested in the man. The man, though, is interested only in his new favorite, due to whom the man soon finds himself in danger. The man barely escapes ...
A ballerina boards a ship.
Hungry mosquitos, in search of a meal, find that fruit, flowers and other such fare doesn't satisfy. One enterprising bug hits the jackpot - a human! However, the victim vigorously resists joining the food chain, causing a number of winged casualties. The little buggers wait until the man falls asleep, then set up a number of enterprises: cafes, bars, filling stations, all serving blood. Things are going well, but then the mosquito Cosa Nostra moves in, and ramp production into high gear.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
This underwater ballet is an ecological story depicting our paradoxical relationship with plastic. Bakelite launched the #SickOfPlastic campaign from On Est Prêt, along with the Surfrider Foundation, Break Free from Plastic and the Resilient Foundation. Photography was directed by Jacques Ballard, a specialist in underwater cinematography.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Rome, summer. One night, unexpectedly, a total blackout leaves the city without electricity. People feel paralyzed, their world is dipped in darkness. Matteo is a young electronic music producer big fan of Chemical Brothers and Daft Punk. He’s composing the songs of his new album. In a single moment, he loses all his work on his computer. Crushed by the lack of electricity and ensnared on his habits, Matteo finds an entirely different dimension of himself and everything around him thanks to the encounter with Greta, his neighbor from next door, who’s writing a novel inspired by this emergency.
An exploration into the shared experiences of community, immigration, and diversity that is based on the true story of one building.
A man whose daily life reveals the indifference of modern society will have an encounter that will turn his life upside down...
When science gets out of hand, the consequences are disastrous.
An old woman remembers her life and the strange shadow figure that has followed her through it.
The haunting true story of a glove that’s been floating in space since 1968.
The birth of the universe, and the origin of all creation. Humans invented tools, discovered fire and painted murals in dark caves. Murals were created on a mission to pass down stories and history to posterity. From murals, we could tell that the discovery of fire was a highly important turning point for ancient humans. Now it's time for us, humans, to reconsider energy. Light animation by TOCHKA.
During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican "Death Day" celebration for inclusion in his "Que Viva Mexico!" film project. When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be made into a feature film, "Thunder Over Mexico", the producers excluded the Death Day material for subsequent compilation as an independent short subject. Silent with music track and explanatory English intertitles.
Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.
An animated short film about two flocks of sheep and their shepherds who are at odds with one another and attempting to keep them separated.
Short film about an animal in captivity longing for the outside. An animal that, like us, dreams, is intelligent, curious, social and sensitive, and in whom we can clearly recognise a soul. The piglet in this movie invites us to see the world through his eyes, which will forever change our view on pigs.
A documentary short that follows a 13-year-old girl named Nejmia, who lives in Sana’a and refuses to wear the veil.