Memória, identidades e ancestralidade como possibilidade do estudo de história em sala de aula
No overview found
No overview found
Amid a tense political climate, the opposition leader is killed in an apparent accident. When a prosecutor finds evidence of a cover-up, witnesses start to get targeted... A thinly veiled account of the 1963 assassination of Greek politician Grigoris Lambrakis and its aftermath, Z captures the outrage about the US-backed military junta that ruled Greece at the time of its release.
Carlos has been fruitlessly looking for a job for years. One day, he finds a very special company called Nothing Co. The company is offering a job where the worker is paid to do nothing... but that day, his life will turn upside down.
A story about the lives of Leila Avakh and Sedigheh Momennia who have chosen, with much love and passion, carpentry as a profession, a profession that is considered extremely masculine in the traditional society of Iran. As such, these two face many difficulties and obstacles. However, they are determined to prove to themselves and their society that it is not impossible to achieve your dreams. Leila and Sedigheh are amongst the first female carpenters in Iran.
No overview found
No overview found
In 1984 East Berlin, an agent of the Stasi secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.
No overview found
TARGET ST. LOUIS Vol. 1© tells the story of how the United State Military conducted secret chemical testing on citizens of St. Louis's Northside. Told through the eyes of the survivors who bravely share their experiences of being unwitting test subjects. Long before the current scandal of lead poisoning of the water supply of Flint, Michigan, the United States Army conducted secret experiments on unknowing residents of northern St. Louis using toxic chemicals. The predominantly African American residents of northern St. Louis are the focus of this film. "Target: St Louis Vol. 1" shares their disturbing story of how these Cold War experiments occurred and the film examines the actions of the US Military that extended beyond the guarantees of public safety promised to US citizens by the Constitution.
Arriving Late
"Morada" is an experimental documentary that shows a little about the city of Acari, located in Seridó Potiguar. It has the main participation of Eilson Amarildo, better known as Negão Azul, who unloads fruits, vegetables and groceries in the municipality of Acari and neighboring regions.
No overview found
Pushed by the fear of losing her friends, Silvia has invited them to a sleepover. But things can be complicated when your home is not exactly what your friends may call a home...
Angélica has spent her whole life escaping from her mixed racial identity, but a family crisis forces her to return to Puerto Rico and rethink her life.
"Sleep Paralysis" dives in to the little-known phenomenon of the same name. Affected people from different cultures tell of their frightening experiences, while scientists try to find explanations.
A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
"My Socialist Home" is a documentary film exploring the significance of gender in the constitution of domestic space in the socialist and postsocialist state.
A former minor tax collection department is now a billion-dollar agency. This groundbreaking documentary exposes how this agency harasses, oppresses, intimidates, and terrifies small businesses and decent citizens.
Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.