The New Klan: Heritage of Hate
Documents Ku Klux Klan activities in California, Georgia, Chicago, and Ohio.
Overview of the Navajo people and the relationship to their land in Northern Arizona.
Documents Ku Klux Klan activities in California, Georgia, Chicago, and Ohio.
When the Oglala Sioux Tribe passed an ordinance separating industrial hemp from its illegal cousin, marijuana, Alex White Plume and his family glimpsed a brighter future. Having researched hemp as a sustainable crop that would grow in the inhospitable soil of the South Dakota Badlands, the White Plumes envisioned a new economy that would shrink the 85% unemployment rate on the Pine Ridge Reservation. They never dreamed they would find themselves swept up in a struggle over tribal sovereignty, economic rights, and common sense.
American citizens who are normally marginalized, forgotten and left to fend against toxic dumps and other violations, come to understand that the only way to survive and save their communities is to challenge the system head-on.
Documentary feature. 16mm; color; sound.
Documentary film by Ross McElwee.
With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.
Since Monsanto began selling their patented 'Roundup Ready' genetically modified (GM) seeds they have sued hundreds of farmers for patent infringement. Michael White, a fourth generation farmer and seed cleaner living in the northeast corner of rural Alabama never imagined that he would become the target of the conglomerates aggressive legal tactics. But unlike other farmers in his area Michael refused to give in to Monsanto and in doing so became one of only a handful of farmers to maintain the ability to speak publicly about his case. This is his story.
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
After three combat tours in Iraq, Alex Sutton attempts a fresh start hatching chickens and raising goats on 43 acres in rural North Carolina. Alex embraces life on the farm with his new love Jessica, but cycles between a state of heightened alert and “feeling zombified” from a cocktail of prescriptions meant to stabilize his injured mind. When Jessica becomes pregnant, the dark past Alex has tried to escape—the loss of his first family, the war he was forced to leave—closes in on him. The farm becomes another battleground. Farmer/Veteran attempts to reconcile the identity of a perfect soldier with the reality of a haunted man determined to hold onto the best chance at peace he’s ever known.
This observational documentary follows the journey of Beyoncé’s super-fans who, unable to pay for the most expensive tickets, camped out for two months to secure their front row spots. Living with this makeshift community bring to light important issues, such as economic class, black identity, homophobia, feminism, and what it means to make this sacrifice for a media phenomenon larger and more powerful than themselves.
Women's unwritten history is passed down through memories. Shows women talking about their experiences of the Great Depression in Australia. Covers such areas as: aboriginal women; paid and unpaid work; mothering; marriage; women's participation in the political struggles of the 1920's and 30's.
Profile on three young Adelaide women. Diana, Kerry and Josie are now 18 years old, and continue to have open and frank discussions about their lives.
An exploration of the hopes and expectations of three working class women from Adelaide, and the differences and similarities they share with their daughters.
The third film in a documentary series from acclaimed director Gillian Armstrong, about the lives of three working class women. as they grow up from the age of 14. They're now at the ripe old age of 26, and we witness the women confronting the very real issues of teenage pregnancy, and love versus sex, marriage and career.
What we show in Milk is literally the best of the best when it comes to dairy farming, yet, as soon we view what happens from the perspective of the mother cow, it becomes clear that this is an industry that runs on the exploitation and suffering of animals. By using animation, we are able to show a unique perspective and tell the story of the mother cow in a way that cannot be done from investigative footage alone. Milk centres the cow as the protagonist of her own story and allows us to view what is happening to her from an up close and personal perspective. Organic, free-range, high-welfare, humanely raised. It doesn’t matter what label we put on dairy products, all dairy cows are victims of an industry that forcibly impregnates them, takes their babies from them, exploits their bodies and then sends them to a slaughterhouse to cut their throats. It's time to end the dairy industry.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Road's End is the story of Daina who lives in Latgale in Eastern Latvia, close by the Russian border. She lives two miles from the nearest road, with no electricity or running water. The roof has collapsed. She is completely dependent upon herself in order to cope with her everyday life. Daina’s children have both emigrated, her son to Norway and her daughter to Italy. When she feels lonely, she goes to her husband's grave and sits there talking with him as if he were still alive. Road’s end is a both poetic and existential film about choices we make in life, about obstinacy, love and betrayal.
Panorama film shot floating down the Seine.