100 Per Cent White
A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.
During the 16th Workers' Festival in Dresden in 1976, a student group of Chilean emigrants paints a mural symbolically depicting the activity of the Unidad Popular during Salvador Allende's reign. Festival guests comment on this work. Music by Chilean music group Jaspampa, formed in Leipzig in 1972.
In their own words, this is the story of six women from the South Wales valleys and how they helped sustain the bitter year-long miners' strike, changing their lives forever.
As a result of the negotiation of the agreement in Bazán Ferrol, thousands of workers marched in a demonstration on March 10, 1972. In the midst of the dictatorship, the Armed Police fired on the demonstration, with dozens of wounded and two workers killed: Daniel Niebla and Amador Rey. The film addresses the entire process of penetration of the worker commissions and the communist party into the shipyard, the tensions in the negotiation of the agreement, the events of March 9 and 10 and their international repercussions. as well as the so-called 'Process of the 23' in which the main labor leaders were tried three years later.
Radical feminist Andrea Dworkin's expose on the pornography industry.
In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.
With a sense of humour, this documentary questions the condition of women from the angle of the image and perception of their body, and covers the new taboos and aesthetic diktats concerning their genitals in the era of the sexual revolution and contemporary feminism.
Carla Haddad Mardini was born with bombs blasting at the worst period of the Lebanese Civil War. She embarked on a career in the humanitarian field where she experienced a meteoric rise, quickly holding leadership positions, first at the ICRC and now at UNICEF in New York. One of her greatest successes is to have overcome the challenges of combining harmonious family life with an intense professional career.
Risking jobs, friends, family and the opposition of church and community, eight unassuming women begin the longest bank strike in American history.
With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.
A social justice organization based in Oakland-Asian Immigrant Women Advocates-focused on building the collective leadership of limited-English speaking immigrants, and empowered women and youth to become powerful agents of social change.
Max Rockatansky returns as the heroic loner who drives the dusty roads of a postapocalyptic Australian Outback in an unending search for gasoline. Arrayed against him and the other scraggly defendants of a fuel-depot encampment are the bizarre warriors commanded by the charismatic Lord Humungus, a violent leader whose scruples are as barren as the surrounding landscape.
Far West Nepal, where maximum labour migration to Bombay happens, is reeling under the impact of an HIV micro epidemic. This documentary is an in depth look into the brave Nepalese migrants’ life in a social, economic and political context.
A pseudo-documentary, “Samarang” tells the story of lowly Ahmang (Captain A.V. Cockle) and his socially superior love, Sai-Yu (Theresa Seth). Both live in the village of Samarang in the Indian Ocean. Because Sai-Yu is the daughter of a chief and Ahmang is but a poor fisherman, he needs to increase his wealth before asking for her hand. Thus he accepts the perilous offer of the wily Chang-Fu, who seeks pearl divers. Ahmang must brave the treacherous waters of the Forbidden Lagoon of Sakai, home to bloodthirsty cannibals, killer sharks, and a monstrous grasping octopus. Sai-Yu and Ahmang’s younger brother Ko-Hai come along for kicks, too. Ahmang finds his pearl, but he and Sai-Yu are stranded on the island, where they befriend a local orangutan. When they return to the boat, a shark kills Ko-Hai, and Ahmang must get revenge.
A woman's voice narrates in a voiceover the state of her body after a male sexual assault.
Chemical engineer and inventor Maria Telkes worked for nearly 50 years to harness the power of the sun, designing and building the world's first successful solar-heated modern residence and identifying a new chemical that could store solar heat like a battery. Telkes was undercut and thwarted by her (male) boss and colleagues at MIT, but she persevered. Upon her death in 1995 Telkes held more than 20 patents, and now she is recognized as a visionary pioneer in the field of sustainable energy whose work continues to shape how we power our lives today.
The #MeToo movement has shined much-needed light on the pervasiveness of sexual harassment and abuse and created unprecedented demand for gender violence prevention models that actually work. THE BYSTANDER MOMENT tells the story of one of the most prominent and proven of these models - the innovative bystander approach developed by pioneering scholar and activist Jackson Katz and his colleagues at Northeastern University's Center for the Study of Sport in Society in the 1990s.
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Batwoman and her bevy of Batmaidens fight evil and dance.
The video is accompanied by a richly detailed article that adds more depth to the documentary. If there’s any question about why Hollywood is dead set against the unionization of vfx artists, the following graphic from the article will answer the question: vfx artists comprise the biggest portion of the crew on most Hollywood blockbusters.