Strike! The Women Who Fought Back
In their own words, this is the story of six women from the South Wales valleys and how they helped sustain the bitter year-long miners' strike, changing their lives forever.
Expressions of Female Aging in the Alto Sertão of Alagoas.
This hybrid documentary, crafted for the Psychosocial Processes II course at UNIRIOS, intricately weaves together contemporary perceptions of female aging in the Alto Sertão of Alagoas. Through the eyes and lived experiences of its central character, the film delves into the nuanced expressions of womanhood as it intertwines with the passage of time, offering an intimate exploration of identity and resilience in a richly textured cultural landscape.
In their own words, this is the story of six women from the South Wales valleys and how they helped sustain the bitter year-long miners' strike, changing their lives forever.
Sandy and Alejandra are two young women who live together with Lexa, an artist with a multiple personality who is preparing her new exhibition. however, the romance between these two personalities will be in danger, not only because of their inability to have physical contact but also because of the problems it generates for Lexa and the body they inhabit. therefore, Sandy and Alejandra must decide before it is too late.
Steph, a sixteen year old altar server, dutifully puts away the collection money after mass. But when a fellow altar server tries to pocket some of the money, Steph attempts to stop her. What starts as an innocent attempt to prevent thievery looks an awful lot like something else to the priest who interrupts them...Suddenly Steph is followed by symbols of the Virgin Mary, a warning around her sexual desires. Steph must navigate the intimidation of her fellow altar server, a crush on her movie theater coworker, and her own feelings around the comfort of her queer identity.
Sur: Tanah Hijau Gadis Belia (2024) Sur is a girl who just graduated from school and is the only child who lives with Dar, her grandfather. He faces a choice that forces him to choose between marrying or working with his mother in the city as a housekeeper.
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With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.
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A woman's voice narrates in a voiceover the state of her body after a male sexual assault.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
In a dystopian future, an Australian-Iraqi woman held captive in a chaotic and brutal British immigration detention centre takes up severe measures to survive and reconnect with her estranged family.
An intimate look at the evolution and impact of women emcees and rappers, told by the trailblazing artists who helped create a musical and cultural empire.
After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.
A woman experiences psychic disintegration and ends up in a psychiatric hospital.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
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This short documentary is the portrait of an 88-year-old woman who lives alone in a log cabin without running water or electricity. Augusta is a non-status Shuswap Indian living in the Williams Lake area of British Columbia. She recalls past times, but lives very much in the present. Self-sufficient, dedicated to her people, she spreads warmth wherever she moves, with her songs and her harmonica.
Their words had never been heard before. Co-directed by French-Rwandan musician and author Gaël Faye and director Michael Sztanke, this movie records with sensitivity and for the first time the testimonies of Prisca, Marie-Jeanne and Concessa about their lives during the genocide and after. The three Tutsi women tell the camera about their daily lives during the genocide and in the refugee camps of Murambi and Nyarushishi, where they lived a nightmare under the guard of the French soldiers of the Opération Turquoise who, under a UN mandate, where supposed to protect them. While the French army denies any rape accusation, the three women filed complaints with the French justice system in 2004 and 2012. The investigation is now at a standstill.
Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination