Bullfight
The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.
Stunning espionage documentary on the US conspiracy that led to the 1964 Brazilian coup d'état. John F. Kennedy and Lyndon Johnson original White House tapes, and CIA Top Secret documents reveal how the US government planned to overthrow Brazilian elected president João Goulart.
The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.
An unconventional point of view on one of the most successful Italian bands: Elio e le Storie Tese.
A deeply human portrait of a boxer with the heart of a lion who refused to give up, in and outside of the ring. This documentary follows the fighter's life from a child who was taught how to hate, to a father who learned how to love.
Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.
Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.
A documentary about the classic 'Texas Chainsaw Massacre' film, including interviews with Gunnar Hansen, Edwin Neal, John Dugan and Jim Siedow.
Beaches are closed during the COVID-19 pandemic. Nevertheless, the middle class must survive the tropicals.
Just what will motoring be like in a post apocalyptic world that's been blown to bits by nuclear bombs or a massive comet? It's a burning question that's on literally nobody's mind, and we give you all the answers in this brand new, incredibly cheerful Top Gear DVD. Embarking on a terrifying journey into the future, we show you how to drive to work in the perpetual darkness of a Nuclear Winter, how to make motor sport exciting when there's only two racing drivers left alive, and, in a world where all cars are bristling with weapons, how to survive the savage, explosive fury of a Doomsday M.O.T test. And amongst all the nuclear carnage, we also tackle the ultimate petrolhead's dilemma - what cars would you take for a final drive if there was only one barrel of petrol left on the planet? The explosions are huge, the cars are superb, so relax and enjoy. PS. This frightening vision of a post nuclear world is backed up by top scientists, in case you think it's us just cocking about.
Documentary — featuring both interviews and live footage — about underground rock music in Russia, during the last years of the Perestroika.
An extraordinary journey deep into space offering fresh insight into the origins and evolution of the universe.
3 ex-presidents of Brazil, 12 ex-ministers of State, 7 ex-governors of the Central Bank, bank owners and finance specialists tell the Brazilian economic history and speculate about the present and the future of the country. 125 years ago Brazil was a poor country with slavery. 60 years ago 50% of Brazilians were illiterate. 25 years ago inflation rate reached 84% a month and 35% of the population was extremely poor. In 2013, Brazil ranks the seventh world's largest economy, inflation reached 5,4% a year, poverty was reduced to 12% and the country is looking forward to be wealthy. Will it happen? Agile cutting, simple language and smart graphic arts allow the answer to this and other questions to be interesting and available to all audiences.
The journey to the world championship is fraught with difficulties for Entity, the UK's most successful and controversial under sixteen street dance crew, as they battle to overcome the many challenges that face them in their bid for glory on the world stage.
Phil Tippett is the Oscar-winning stop-motion animator and designer behind some of the greatest fantasy creatures and sci-fi set pieces in cinema history. From his humble beginnings as an alien patron in the iconic Cantina sequence from 'Star Wars: A New Hope', to pioneering stop-motion techniques used throughout 'Empire Strikes Back' and 'Return of the Jedi', to seamlessly merging practical animation and CGI in Jurassic Park and beyond. In 'My Life in Monsters', VICE chronicles Tippett's legendary life work, illustrating the process behind his greatest creations, the emotional hardships of transitioning into Hollywood's digital revolution, and completing his return-to-form, stop-motion opus with the brutal, dystopian 'Mad God'.
As children, British actor Paul Blackthorne and Australian photographer Mister Basquali both fell in love with America. Later they each fulfilled their dream to live here, but after two wars, a near economic collapse, and uncertainty about the country's direction, these two expats began to have doubts -- was America still the great place they once dreamed of? They drive across America to find out, interviewing random people about issues that affect and confront us all. From the ghetto to the gun show, the courthouse to the cattle yard, they are touched by the wisdom and insight of the people they meet. This American Journey is a cinematic postcard from the people to the people, teaching us that hearts can be healed at the most unexpected times and in the most unexpected places.
The Jesus Christians are unusually committed to their faith. They give up everything they own - including, now, their spare kidneys. For a year, journalist Jon Ronson has exclusively followed the group as they attempt to donate their kidneys to strangers in the UK and the US. But who should they give them to? Where can they advertise? Will the hospitals, the media, and the potential recipients see their gesture as a miracle, or as the self-destructive act of a controversial religious movement? Presented by Jon Ronson.
Waving the flag that states every film is political, Vincent Carelli visibilizes in this documentary the cause of the Guarani-Kaiowá: a group of indigenous people that fear their lands, located in the Mato Grosso do Sul, will be confiscated by the State. A territorial conflict born more than one hundred years ago, during the Paraguay war. While fighting against the Brazilian Congress in order not to be evicted from their homes, the 50.000 indigenous people demand the demarcation of the space that belongs to them. With some rigorous investigative work, the Brazilian director tells with his own voice of the social and political injustices suffered by the Guarani people through material he filmed over the course of more than forty years. The archive images, both color and black and white, reveal the crudeness with which they coexist every day: among the violation of their civil rights and the guts with which they confront the usurpers.
No sick days. Mandatory diets. Boob jobs. Endless rehearsals. It's what showgirls do for love--and a steady job--in the Las Vegas spotlight. 'A Chorus Line' meets 'Real Sex' in this sexy yet poignant documentary that follows the mounting of a new all-female musical revue in Las Vegas--from auditions through opening night--over the course of ten pressure-packed weeks.
The Bapst Brothers: Romain, Maurice and Jacques – whom we will also meet in The Gruyere Chronicle (produced in 1990) – are peasants and carriers and work with their father. In autumn and winter, they bid for the community’s wood, cut down the pine trees and bring down the logs through the snowy woods by horse-drawn sleigh.
This fascinating documentary chronicles the intense rivalry between high schools in Southern Indiana to win a prestigious festival performance with lavish student musical productions that often cost in the tens of thousands of dollars to produce.
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