How to Fall in Love in a Pandemic
A capsule romance accelerates dramatically against the backdrop of the pandemic as two filmmakers are forced to move in together after two weeks of knowing each other.
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A capsule romance accelerates dramatically against the backdrop of the pandemic as two filmmakers are forced to move in together after two weeks of knowing each other.
A conversation between the director of this film, Carmen Castillo and Marcia Merino, AKA La Flaca Alejandra who was one of the collaborators of Pinochet's secret police (the DINA) after being tortured by them. It was Merino who betrayed Castillo, who lost her new born child after being tortured. Almost twenty years later, Carmen Castillo returns to Chile after her exile to film this documentary, during a time in which Marcia Merino, on the court of justice, decided to give the names of her old bosses who worked with her on the DINA.
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During the first days after the 1973 Chilean coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group they call the “Dawsonianas.”
Documental about the Second Independence of Chile. Images and videos from the period before and after September 11th, 1973
A film about the fearless photographers and photojournalists who documented strikes, demonstrations, protests etc during the Chilean military regime of Augusto Pinochet, sometimes risking their very lives.
It is a powerful predator, one of the most elusive animals in Patagonia and rarely filmed. In the very South of Chile the Pumas' hunting grounds lie in the awe-inspiring Torres del Paine National Park, follow a mother Puma as she rears her cubs in the wild, teaching them to survive and thrive.
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Agüero is able to look at the scene in all it's complexity around architectonical brutality that Santiago de Chile underwent around the year 2000.
The documentary portrays the desires and ftures of four young people from the third year of secundary education in Chile. Two of them attend the industrial high school in the San Joaquín commune, where they have already begun their training as a textile technician. They both have dreams, they want to study, work, start a family and improve themselves. On the other hand, at the exclusive Saint George school, two students study in privileged conditions. They want to be professionals and develop through the arts. This is the portrait of two worlds located less than 20 kilometers apart and that can only be together in the audiovisual montage. It is the manifestation of the coincidences and contradictions that exist between the realities and the discourses of four young Chilean students in a fundamental stage for their future.
"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.
Draped in an electric blue fabric, the artist acts as a conduit between the tangile and the spiritual, blurring the boundaries between human form and natural elements.
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Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.
The "cueca" is Chile's national dance. Marveled by this form of dancing, the narrator reflects on the meaning of dance in our lives and how it has been portrayed in the history of cinema.
A Swedish mining giant, Boliden, is accused of having dumped 20000 tonnes of toxic waste in a poor neighborhood in a Chilean desert town.
Davide and Loris are brothers and live in a very small village in the north of Italy. While Davide is eighteen years old and gay, Loris is almost thirty and doesn't know anything about his brother's sexuality.
Mateo, son of a notorious mob lord of the city, has been dumped by his wife who took his son away. He doesn't resist the shame and hires the most ruthless hit-man available to kill them. He hires Toro Loco, a cold, eccentric assassin with will bring the hell to this family, always under his own twisted rules.
Religiosity is an immaterial wealth that preserves the identity of a people. Documentary filmmaker Patricio González Colville searches for the ancestral rites that characterize the relationship between God and man from the countryside. A strange mix of faith, devotion, pagan festival, wine, submission, violence and sorcery make up these rites whose origin has been forgotten but tradition does not allow losing. Cultural mixes over time have given rise to the peculiar current peasant religion. The documentalist's camera allows the country man to express his personal experiences, beliefs and divergences with divinity in his simple language. Through five chapters, the documentary searches the Maule Region for the descendants of Adam, expelled from Paradise to cultivate the land. What kind of faith does this man have left and how does he manifest it? The documentary presents his perspective on this controversial issue.
During the Pinochet dictatorship, Jorge Lübbert became an instrument for the Chilean secret services, who forced him to work for them in an extremely violent way. He was able to escape from Chile and became a war photographer based in Belgium. Today, his son Andrés takes him back to the places of his unfinished past.