Ishtar
Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime.
THE GIANT MUSICAL HIT OF THE YEAR!
Opera singer Chivo is currently playing a singing cowboy, and Mexican bandito Braganza kidnaps him (along with Jane, an heiress) so he can learn to become more like the American movie gangsters he admires.
Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime.
When Matt Booth sets off to meet his fiance for a foreign wedding he couldn't have imagined the dangerous world he was about to step into. Betrayed and set up, Matt finds himself on the run from the CIA and hired mercenaries, all looking for a package that he has supposedly smuggled through customs. Hunted on all sides, Matt is aided by Agent Adriana Vasquez, a femme fatale with orders of her own to follow.
Pitch, the mean-spirited devil, is trying to ruin Christmas. Santa Claus teams up with Merlin the Magician and the children of the world in order to save the day!
Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.
Kraus - Nucci - Serra - Pertusi - Vespasiani ... Chour du Théâtre Regio de Parme Orchestre Symphonique dell'Emilia Romagna "Arturo Toscanini" ANGELO CAMPORI - Parme, 02/1987
Few singers have plumbed the depths of the role of Violetta as did she incomparable soprano Renata Scotto. Her interpretation surprises with fresh insights at every turn, illuminating aspects of the character that are latent in the libretto and the schore but rarely dramatized with such completeness. For example, when Germont meets Violetta, he is immediately struck by her strong bearing ( Quai modi! , he exclaims in an aside).
Verdi - Un ballo in maschera / Domingo · Barstow · Quivar · Jo · Nucci · Rydl · Chaignaud · Wiener Phil. · Solti · Schlesinger · Salzburg Festival 1900
La Traviata was recorded at what was one of Venice's most exquisite 18th-century opera houses, La Fenice, tragically destroyed by fire in 1996, and now rebuilt. This glorious house is where La Traviata was premiered in 1853. In this memorable performance, Slovak soprano Edita Gruberova takes the leading role of Violetta, the tragic heroine, persuaded by Alfredo's father, Giorgio, to sacrifice her happiness with Alfredo for the sake of family honor.
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Manon Lescaut's production was updated and it worked. Highly professional production with two of the best performances I've ever witnessed in any opera. By the end of the third act I was crying and by the end of the fourth act I could not stop the tears. These two can not only sing up a storm they act one as well. This is the best Manon Lescaut I've ever seen and hope the upcoming one at the Met is as good. It truly was thrilling. Kaufmann and Opolais were unbelievably fantastic and the orchestra was superb. Pappano is the kind of maestro you want to sing for as he coaches as in the old days of maestros like Levine, etc. This is highly recommended as a keeper!
In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.
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This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.
One week before St. Nicholas Day, St. Nicholas writes an application for sick leave. All gifts for polite children are ready, except for one: a 9-year-old girl Yustia did not write him a letter with her wishes. The same is due to his hospitalization and the fact that no child can be left without a gift, St. Nicholas assigns his responsibilities to the girl's father. The girl's father is a musician and composer who, after the death of his wife (the girl's mother), no longer plays music, but tries to make a career as a presenter, forgetting about his child's dreams.
For those with any interest in Vivaldi's operas Orlando Furioso is essential viewing, being a 1989 San Francisco Opera revival by Pier Luigi Pizzi of his own 1979 production which was largely responsible for beginning modern interest in Vivaldi's stage work. The composer first premiered Orlando finto pazzo in 1714, but the Orlando Furioso finalised in 1727 was so heavily reworked as to be virtually an entirely new opera, and so successful Handel set the same epic poem by Aristo under the title Alcina in 1735.
A washed-up music producer finds one last shot at redemption with a golden-voiced young girl in Afghanistan. However, when jealousy gets the better of a disgruntled ex-boyfriend, he decides to oppose the young star with talent of his own.
The Bellas are back, and they are better than ever. After being humiliated in front of none other than the President of the United States of America, the Bellas are taken out of the Aca-Circuit. In order to clear their name, and regain their status, the Bellas take on a seemingly impossible task: winning an international competition no American team has ever won. In order to accomplish this monumental task, they need to strengthen the bonds of friendship and sisterhood and blow away the competition with their amazing aca-magic! With all new friends and old rivals tagging along for the trip, the Bellas can hopefully accomplish their dreams.
Before the Trojan War, Agamemnon gathered the Greek armies at the port of Aulis. The goddess Diane sent unfavorable winds to prevent the Greeks from sailing. Her oracle set a condition for Agamemnon: to earn the right to sail forth and destroy an innocent country, he would have to sacrifice his own daughter. Agamemnon accepted these terms and killed his young daughter Iphigénie on the altar. In his play Iphigenia in Tauris Euripides imagines that Diane plucked Iphigénie from that altar and delivered her to a temple in distant Tauride, where Iphigénie began to serve the enemy Scythians as Diane’s high priestess—all the while Iphigénie’s family believing her dead.
Diana Damrau, Ildebrando D'Arcangelo, Pietro Spagnoli, Marcella Orsatti Talamanca, and Monica Bacelli star in this La Scala production of the Mozart opera conducted by Gerard Korsten and directed by Giorgio Strehler.
Dr. Bill Remsen pretends to be a policeman, and ends up being assigned to guard Judy Marlowe. Amazingly, he falls in love with her.