Somewhere Real
Roads fall into the sea and a travelogue breaks against the landscape.
Roads fall into the sea and a travelogue breaks against the landscape.
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
With the aim of finding Desire, so-and-so performs a ritual to go down in the depths of himself.
Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the filmstrip in colourful paint and marker pen.
Consistent stylistic-thematic structures link and merge throughout the bewildering event chain. The distinction between organic forms and human artifacts is blurred by the visual style which is enigmatic without being ambiguous.
Direct animation on 35mm.
A surrealist animation of the Sarah Lawrence College art building.
An experimental short from Oskar Fischinger
For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).
Surreal environments take center stage in this visual odyssey.
An NTSC space opera.
The Cordura Island lighthouse keeper is left alone when his companion leaves for the mainland. On a stormy night he finds a letter. The story it tells and his fear of the loneliness at night will take him to the limits of madness.
Short film made using cardboard cutouts of a classic Western scene
One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with a video camera to then subject it to further manipulation.
A strange wire-fingered homunculus navigates through his dreams of different faces and faces, traversing a subliminal and endless variety. They are all different faces, but all have huge eyes that are questioned as to what keeps them apart, perhaps left broken by an impossible love.
African American Express is an abstract animation exploring the impact of consumerism in the Black community. Told in the style of Soviet Propaganda, this animated short dissects the pattern of excessive materialism and consumption prevalent within the Black population.
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Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
An abstract animated film inspired by the work of jazz musician Chico Hamilton.
A romance scene, an opening theme, a high-speed train of perception. The tropes and aesthetic of anime are deconstructed and reexamined, the frames accelerated, and blasted into a different realm of the cinematic language.