04 Oct 2020
To Be
Juana, Mar, and Eduardo tell their stories of abuse.
Scotch Hop
A fast-paced rhythmic impression of dancers, musicians and sportsmen at a highlands event.
Top Billed Cast
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To Be To Be Peel 
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In a hidden place, the daily routine of a retirement home unfolds as time seems to stand still. The penciled residents come to life on paper. Some are active, others rest or follow a fixed schedule that repeats each day: medication, meals, games… Around them, machines are flashing, caregivers are busy and crucifixes remind them of the death that lies in wait. Time fades away and a forest stretches out nearby.
Small trades in Paris 
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Grinders, rag-men, China menders, mattress carders are among those small trades of yesteryear that have disappeared from our sight and fallen into oblivion. But way back in 1931 they were far from extinct and still populated and livened up the streets from dawn till dusk. The tenderness of Pierre Chenal look at them is only accentuated by the nostalgia experienced by today's viewer.
i ran from it and was still in it 
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I ran from it and was still in it poetically interweaves personal family memories with original and found footage to offer a more complex portrait of familial loss and separation. Kae wades through deep emotions surrounding the death of his father and the sudden relocation of his children, repurposing intimate family scenes from his personal archive by pairing them with online media from a variety of sources to explore how the autobiographical model can potentially extend beyond the personal.
Our New President 
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Data for Decision Data for Decision 01 Jan 1968
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This short documentary is a portrait of the early era of computing and the process and implications of the digitization of large amounts of information. Examining the arduous work of assessing and documenting the geographical landscape, including sampling and analysis of soil, forestry, timber, wildlife, resources, industrial sites, and many other aspects, we see that human beings alone couldn't handle the vast amount of information that is collected. A new kind of computer (an “instant library”), the Canada Land Inventory Geo-information System, was developed to help manage and develop Canadian land. This film examines the workings of this new and mysterious machine.
The Sunshine The Sunshine 01 Jan 2000
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Portrait of the Sunshine Hotel, a flop house on the Bowery in New York's skid row. We meet Vic, the desk clerk, who paints watercolours and pastels; Jonesy, a janitor who talks about bedbugs; Bruce, a voluble alcoholic who makes runs for residents, picking up beer or sandwiches for them and sharing his philosophy with us; Vinnie, on methadone, caring for caged birds; Cashmere, a prostitute, the only woman at the hotel; Earl, who works downstairs in the Bowery's last factory, and Mike, the general manager, who talks about the changing face of the Bowery. The film concludes with tourists outside the Sunshine, hearing from Seth Kamil of Big Onion Walking Tours.
Crazy for Lynn Lowry 
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Romero Was Here: Locating The Crazies Romero Was Here: Locating The Crazies 23 Oct 2017
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Majestic White Horses Majestic White Horses 24 Jan 2001
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Broadway by Light 
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An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.
Housing Problems 
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Rain 
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A lyrical portrait of Amsterdam and its changing appearance during a rain-shower.
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The film explores familiar landscape imagery Saïto and Goldstein share in their neighbourhood at the foot of Mount-Royal Park in Montréal, Canada. Using the images of maple trees in the park as main visual motif, Saïto creates a film in which the formations of the trees and their subtle interrelation with the space around them act as an agent to transform viewer’s sensorial perception of the space portrayed
The Argument 
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Sometimes viewed as a companion piece to Lucifer Rising, Cammell’s 1972 short was left incomplete by the director and rediscovered and finished by his editor and close collaborator Frank Mazzola in 1999. The result is a visually stunning piece of work, shot in Bryce Canyon by the great Vilmos Zsigmond in glorious color and Cinemascope, with Myriam Gibril as Aisha the Witch and Kendrew Lascelles as the Director shouting a philosophical dialogue amidst the echoing rock formations.
Electric Eel Electric Eel Electric Eel
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Carnivorous Plants 
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Photomicrography reveals the unusual structure and behavior of the Venus's flytrap, the trumpet plant, the cobra plant, the common pitcher plant, the sundew plant and the utricularia.
First, We Eat 
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Muse: The Making of Absolution 
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Behind the scenes taken from the original Absolution Special Edition CD + DVD.
Death is dangerous, it could hurt 
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The three female protagonists present their personal relationship with intravenous drug use, and their intimate confessions are filled with fear and insecurity but also love for the state of intoxication. Ambient music in the background and colourful textures multiplying over shots of the everyday reality of drug users create an almost dreamlike world. “I won’t feel the full effects the whole night, but it will help take my mind off things.”