#monalisa
People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?
The leaders of Egypt's 2011 revolution discuss the fire, courage and resiliency behind their movement to remove President Hosni Mubarak from office.
People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?
Over the course of a year, film follows Vancouver Pride Society president Ken Coolen to various international Pride events, including Poland, Hungary, Russia, Sri Lanka and others where there is great opposition to pride parades. In North America, Pride is complicated by commercialization and a sense that the festivals are turning away from their political roots toward tourism, party promotion and entertainment. Christie documents the ways larger, more mainstream Pride events have supported the global Pride movement and how human rights components are being added to more established events. In the New York sequence, leaders organize an alternative Pride parade, the Drag March, set up to protest the corporatization of New York Pride. A parade in São Paulo, the world's largest Pride festival, itself includes a completely empty float, meant to symbolize all those lost to HIV and to anti-gay violence.
Chronicles the life of Allard K. Lowenstein, the political activist and Congressman known for his tireless anti-war and civil rights activism.
A poetic short film showing a day in the 2019 protests in Santiago, Chile through documentary images.
Board a traditional felucca sailboat and travel down the Nile from Aswan to Cairo, visiting spectacular ancient Egyptian tombs and temples on the way.
After four years of the Trump administration, Jonathan Katz, a Jewish activist from New York, travels across the American Midwest to support the presidential candidacy of Bernie Sanders. Committed body and soul to a revolution through the ballot box, his deepest convictions are shaken. While it is the last campaign for him, as it is for Bernie, he meets a new generation of activists for whom it is the first.
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As the "Arab Spring" protests for justice and democracy spread through the middle east in early 2011, people long repressed by the Bahrain monarchy spontaneously gathered at the central Pearl Square to join in the call for their rights.
Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.
"Puss Riot and other sins" - The Putin system is taking on more and more features of the Soviet system. The big fear and paranoia returns.
When the New Zealand Government enforce mandatory vaccination on the workforce, many rebel. They convoy to Parliament in protest but are ignored by politicians, ridiculed by media and smashed by police after a 23-day occupation.
"COMPLEXion is a documentary that aims to unpack the hegemony of skin color globally and challenge the archaic notions that exist surrounding it. Our mission is to defy toxic beauty standards through raw human stories."
At a time when the far right is ascending to power around the world, the 2020 Brazilian municipal elections saw a surprising and unprecedented record of LGBT candidates. This film follows four young queer politicians during their electoral campaigns and reveals their struggle to affirm their rights to exist and be heard.
How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.
Rob Williams was an African-American living in Monroe, North Carolina in the 1950s and 1960s. Living with injustice and oppression, many African-Americans advocated a non-violent resistance. Williams took a different tack, urging the oppressed to take up arms. Williams was stripped of his rank as leader of the local NAACP chapter, but he continued to encourage local African-Americans to carry weapons as a means of self-defense. Wanted on a kidnapping charge, Williams and his wife fled to Cuba. His radio show Radio Free Dixie could be heard in some parts of the United States.
Prepare to pass through the looking glass where one man without a job, who lives in his car, can leverage his phone and free WiFi at McDonalds to tear apart the fabric of people’s lives. And he can do it all without consequence.
Twenty-five years after the biggest riot in British penal history, this film brings together the ringleaders of the trouble with the prison guards they battled with over three weeks of anarchy that brought Strangeways to its knees. For the first time, these events are told through unparalleled access to the people at the heart of the riot - ex-inmates, prison officers and the governor himself - createing a compelling story of the struggle for power between the authorities and the hardcore prisoners who ultimately took their protest onto the prison roof. The stand-off that followed is documented until the final moments, when the siege was ended in a dramatic takedown in front of rolling news cameras.
LIKE is an IndieFlix Original documentary that explores the impact of social media on our lives and the effects of technology on the brain. The goal of the film is to inspire us to self-regulate. Social media is a tool and social platforms are a place to connect, share, and care … but is that what's really happening?
This program investigates the ways various art forms are used to sway minds and to argue political causes. Examples include Napoleon and Hitler; artist such as Daumier, Hogarth and Shann; writers Dickens, Swift and Orwell; and pop artists who mock popular ideals.
They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.