It's Getting Weirder! The Making of "House II"
Retrospective documentary featuring interviews with Ethan Wiley, Sean S. Cunningham, Arye Gross and Jonathan Stark, among others.
The History of American Punk Rock 1980-1986
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
Retrospective documentary featuring interviews with Ethan Wiley, Sean S. Cunningham, Arye Gross and Jonathan Stark, among others.
Retrospective documentary featuring interviews with director Lewis Abernathy, producer Sean S. Cunningham, stars Terri Treas and William Katt, actor/stunt coordinator Kane Hodder and composer Harry Manfredini.
Heiko, 51, a sheet metal former trained in GDR times, unemployed since the fall of the wall, pisses on his bed and on the carpet. The film encounters Heiko's dysfunctional family history and his decision to be alone forever. Piss and GDR, a reflection of how deep the consequences of the fall of the Wall are still in the bodies of some people to this day.
This documentary retraces the life of Jacques Maritain (1882 - 1973), French Christian philosopher. In evoking his life, it paints a portrait of the 20th century: the scientism of the Sorbonne, the rise of Nazism, the Resistance, Free France, Christian Democracy in South America, but also art, freedom, peace and love for the human person. Jacques Maritain, in the torments of the 20th century, of it's murderous madness and it's hope for peace, holds a secret: his ineffable and faithful love for his wife Raïssa, the inspiration for his political commitments and his philosophical thought.
Olly Alexander is preparing to fulfil one of his biggest life ambitions - to represent the United Kingdom in the much-loved Eurovision Song Contest. Ahead of the grand final in May, Olly joins fellow Eurovision lover and commentator Graham Norton to talk candidly about competing in Sweden. As an extra treat for Eurovision fans, Olly reveals the first full play of the music video on TV for his Eurovision song Dizzy.
Recorded doing the Summer Breeze Open Air Festival 2017 on the 17th. of August in Dinkelsbühl, Bavaria, Germany. Set-List: 1. The Pursuit of Vikings / 2. As Loke Falls / 3. First Kill / 4. The Way of Vikings / 5. At Dawn's First Light / 6. Cry of the Black Birds / 7. Deceiver of the Gods / 8. Destroyer of the Universe / 9. Death in Fire / 10. Father of the Wolf / 11. Runes to My Memory / 12. War of the Gods / 13. Raise Your Horns / 14. A Dream That Cannot Be (with Doro) / 15. Guardians of Asgaard / 16. Twilight of the Thunder God.
Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.
What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.'
Kuwait’s constitution says that every person has the right to a job, so in some places 20 people are employed for one person’s job. In South Korea, they work so much that a policy has been introduced to turn off computers at the end of the day so that employees can’t work any more. In the US, they give up over 500 million holiday hours each year, while Amazon’s drivers are trying to form a union. Meanwhile, robots are poised to take over most jobs and put the rest of us out of work. Work is so crucial to our identity and what we spend our waking hours on that it is barely noticed anymore. A lot has happened since a group of Puritan priests invented the concept of work ethic in the 1600s, and in the 21st century the very concept of work is in many ways disintegrating. A perfect situation for a filmmaker like Swedish mastermind Erik Gandini, who travels the world to explore what the concept of work means today – if it means anything at all.
An interview with the cast and crew of the cult horror film Black Christmas (1974), hosted by John Saxon, who starred in the film. Included are stories about the making of the picture and what many of the participants have been doing since then.
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Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
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"BABYMETAL Live at Budokan: Red Night Apocalypse " is a monumental concert that captures the sheer intensity and theatricality of the band at one of Japan’s most iconic venues, Nippon Budokan. Held as part of their "Red Night & Black Night Apocalypse" events, this performance, dubbed "Red Night," features the band delivering a high-octane setlist including tracks like "Ijime, Dame, Zettai" and "Megitsune." The concert is particularly notable for its elaborate stage production, with dramatic lighting and pyrotechnics that complement the band's dynamic performance. This event not only highlights BABYMETAL’s musical prowess but also cements their status as a major force in the live music scene, with a theatrical flair that captivates and energizes their audience.
"BABYMETAL - Live at Budokan: Black Night Apocalypse - Kuroi Yoru Legend" is a monumental concert film that captures one of the most pivotal performances in the band's career. Held at the iconic Nippon Budokan in Tokyo, this event marked the culmination of BABYMETAL's meteoric rise in the world of metal and J-pop. The "Black Night" performance was characterized by its thematic dark staging and elaborate visual effects, enhancing the theatricality that BABYMETAL is known for. Su-metal, Moametal, and Yuimetal delivered a high-octane setlist featuring tracks like "Ijime, Dame, Zettai" and "Headbanger!!," executed with precision and intense energy. The concert not only highlighted their musical talents but also celebrated their elaborate choreography and stage presence, solidifying their status as a powerhouse live act.
BABYMETAL's concert at The Forum in London in 2014 marked a significant milestone in their international tour, capturing the attention of a global audience. This performance was one of their first major live shows outside of Asia, spotlighting their ability to electrify diverse audiences. The set was charged with energy as Su-metal, Yuimetal, and Moametal delivered an electrifying blend of J-pop idol music and heavy metal, performing hits like "Ijime, Dame, Zettai" and "Doki Doki ☆ Morning." The crowd's enthusiastic response, combined with the band's dynamic stage presence and the Kami Band's heavy musical accompaniment, made the night a memorable event, solidifying BABYMETAL's position in the international music scene.
BABYMETAL's performance at the O2 Academy Brixton in London was a monumental event that showcased their captivating stage presence and musical prowess. The concert, part of their world tour, drew a diverse crowd of fans eager to experience the fusion of J-pop and heavy metal that BABYMETAL has perfected. Su-metal and Moametal, accompanied by their electrifying Kami Band, performed a setlist that included thrilling hits like "Distortion" and "KARATE," along with newer tracks that demonstrated their evolving sound. The energy in the venue was palpable, with the audience fully engaged, echoing the band's chants and movements. This live performance at Academy Brixton solidified BABYMETAL's status as a must-see live act, blending intense music with dynamic theatrical elements.
BABYMETAL's performance at Summer Sonic 2014 was a pivotal moment that solidified their status on the international music scene. Held in Japan, this high-octane show featured the trio—Su-metal, Yuimetal, and Moametal—energetically bounding across the stage, delivering their unique blend of J-pop and metal with infectious enthusiasm. The set was a mix of their early hits like "Doki Doki ☆ Morning" and "Ijime, Dame, Zettai," thrilling the crowd with their synchronized dances and the heavy backing of the Kami Band. The performance was not only a display of their musical talent but also a testament to their ability to captivate a diverse festival audience, marking a significant milestone in their burgeoning career.
The "Apocrypha The Black Mass" by BABYMETAL at Tsutaya O-East was a captivating performance that resonated deeply with their fanbase. This exclusive event, designed for members of the BABYMETAL Apocalypse fan club, featured a mysterious and dark thematic presentation, aligning with the "black mass" concept. The venue's close quarters created an intense, immersive atmosphere that amplified the energy of both the performers and the crowd. Showcasing a blend of their well-known tracks and deeper cuts, the concert highlighted the band's theatrical elements, powerful vocals from Su-metal, and the precise choreography with Moametal and Yuimetal, all backed by the formidable Kami Band. This show stood out as a unique and memorable experience in the expansive universe of BABYMETAL performances.
The "Apocrypha The Red Mass" by BABYMETAL at Tsutaya O-East was a standout event, exclusively for the female fans in the BABYMETAL Apocalypse community. This concert showcased a unique and thematic performance, characterized by a sea of fans dressed in red, creating a visually striking atmosphere. The all-female audience contributed to a distinctively unified and energetic vibe. Su-metal, Yuimetal, and Moametal, along with the Kami Band, delivered a powerful set that resonated with their hardcore fanbase, featuring both popular hits and deeper cuts from their repertoire. The "Red Mass" highlighted the band's ability to connect with their audience on a deep level, making it a highly praised and unforgettable live experience.