I Used to Be Funny
Sam is a young stand-up comedian and au pair struggling with PTSD, who is weighing whether or not to join the search for Brooke, a missing girl she used to nanny.
Various lives intersect over the course of 48 hours in Canada's largest and most culturally diverse city.
Sam is a young stand-up comedian and au pair struggling with PTSD, who is weighing whether or not to join the search for Brooke, a missing girl she used to nanny.
One year after returning home to Northern Ontario for his parents funeral, Robert Chenaux finds himself face-to-face with a career defining promotion; find the money, close the deal, and make partner. After a major investor backs out last minute, Robert scrambles to find the financing and can see only one option. Sell the last piece of family property but, his plan gets complicated when his estranged brother arrives in town.
“King” delves into the intimate realm of men’s mental health through a poignant exchange between a young man and his barber in a vibrant Dominican barbershop. Through candid conversations and mutual support, the film explores the complexities of masculinity, identity, and emotional well-being within the context of a culturally rich community. “King” offers a compelling portrayal of the power of dialogue and fellowship in navigating the challenges of modern life.
An 8-year-old heads for Toronto to find her father, joined by an uncle who wants her inheritance.
This film is about six different seemingly ordinary people and how their paths cross during a two-week period in Toronto. A young man, Gnanam, who attributes all of his failures to his dark past and tries to confront it; a dedicated detective, John, who questions his integrity after making a fateful call; a teenager, Aathi, who struggles to cope with the death of his lover; a compassionate widower, Sornam, who is too busy helping others to pay attention to his daughter; a hardworking man, Ariyam, who struggles to find purpose after the death of his only son; and a brave young war victim, Aby, who tries to have a fresh start after being abandoned by her fiancé.
Over the course of one week in 1988, the search for a missing teammate, parental expectations, a burgeoning sexual awakening and the rock concert of the century all threaten to jolt a 16-year-old into adulthood. With the long Victoria Day weekend signaling the end of school, and the Stanley Cup playoffs afoot, the summer of 1988 arrives in Toronto. Ben Spector, a smart, sensitive kid from a Russian immigrant family, hits the Bob Dylan show with his buddies and runs into Jordan Chapman, the class jerk and Ben's tormentor on the ice-hockey rink. Jordan is five dollars shy of scoring some drugs, and Ben begrudgingly spots him the dough. But the next day, Jordan fails to show up at school or hockey practice. With days passing and Jordan's whereabouts a mystery, Ben finds himself in an uncomfortable predicament, especially when a romance with Jordan's sister tentatively blooms in the midst of the ordeal.
Medical-school dropout Wallace has been repeatedly burned by bad relationships. So while everyone around him, including his roommate Allan, seems to be finding the perfect partner, Wallace decides to put his love life on hold. It is then that he meets Chantry, an animator who lives with her longtime boyfriend Ben. Wallace and Chantry form an instant connection, striking up a close friendship. Still, there is no denying the chemistry between them, leading the pair to wonder, what if the love of your life is actually your best friend?
Tired of their mother's alcoholism and a string of her abusive boyfriends, two sisters plot to kill her.
A brutal drive-by shooting of a Croatian woman who works at an abortion clinic sends two homicide detectives out onto the streets of one of the world's most culturally diverse cities. Their first suspect has ties to the pro-life movement. But a sudden turn of events, a fresh trail of clues and a suicide attempt by the victim's Serbian husband lead the detectives into the impenetrable world of Balkan politics and prejudices. As they hunt for the killer, they uncover an ethnic war between Croatians and Serbians amid the urban backdrop of downtown Toronto.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
A young woman passes an emotional night in the city.
Dan Mahowny was a rising star at the Canadian Imperial Bank of Commerce. At twenty-four he was assistant manager of a major branch in the heart of Toronto's financial district. To his colleagues he was a workaholic. To his customers, he was astute, decisive and helpful. To his friends, he was a quiet, but humorous man who enjoyed watching sports on television. To his girlfriend, he was shy but engaging. None of them knew the other side of Dan Mahowny--the side that executed the largest single-handed bank fraud in Canadian history, grossing over $10 million in eighteen months to feed his gambling obsession.
Based on the award-nominated graphic novel by Benjamin Rivers. Dana is a woman who doesn’t deal well with confrontation. She likes her job, her friends, and the cozy comfort of her neighbourhood — Toronto’s own Queen Street West. But when the world forces her to stand up, will she be able to handle it?
Various citizens of Toronto anxiously await the end of the world, which is occurring at the stroke of midnight on New Year's Day.
Through the entanglement of home movies, archival footage, and cinéma vérité, "Ghost Camera" captures 116 years of Toronto history to tell the tale of a documentarian's descent into artistic madness.
A dark musical about Iara, an ordinary girl who starts to work in a mental institution for women.
After the disappearance of a young scientist on a business trip, his son and wife struggle to cope, only to make a bizarre discovery years later - one that may bring him home.
In this drama that was a UCLA student thesis expanded to feature length, two African-Americans come from Tennessee to Los Angeles. The man will not marry the woman as he has just been released from prison and cannot commit himself. He ends up working in a factory, while she gets a job as a maid. The two split up after he gets involved in a strike. She goes to school but ends up laid off from a good paying job. Later the two meet again. Both are surprised by the great changes in their lives since they have been apart.
Louise is a professional photographer and very successful in her job. But her father who had disappeared for many years resurfaced. He is very sick and would like to see his three daughters again. At the request of her father, Louise hesitates and then slips away. The reappearance of his father poses problems even in her life as a couple.
Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.