IRON - O Homem da Máscara de Ferro
A loose stage adaptation of the classic by Alexandre Dumas, told as an interactive electropop musical experience, breaking the boundaries between stage and audience.
Show recorded at the Palais Omnisports de Paris-Bercy on January 27 and 28, 2013 for the benefit of the Restos du Coeur.
A loose stage adaptation of the classic by Alexandre Dumas, told as an interactive electropop musical experience, breaking the boundaries between stage and audience.
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A live concert in tribute to Freddie Mercury, former lead singer of Queen. Mercury died of AIDS and so some of the proceeds of this concert went to AIDS research. Features performers such as Metallica, Def Leppard, Elton John, Axl Rose, Extreme, George Michael, and many others. Performers alternate between doing their own hits, covering Queen songs, or jamming with the surviving members of Queen.
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The story of the extraordinary final chapter of Freddie Mercury’s life and how, after his death from AIDS, Queen staged one of the biggest concerts in history, the Freddie Mercury Tribute Concert at Wembley Stadium, to celebrate his life and challenge the prejudices around HIV/AIDS. For the first time, Freddie's story is told alongside the experiences of those who tested positive for HIV and lost loved ones during the same period. Medical practitioners, survivors, and human rights campaigners recount the intensity of living through the AIDS pandemic and the moral panic it brought about.
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Follows Elliot Rosewater, heir of a massive fortune controlled by the Rosewater Foundation, as he deals with the guilt surrounding his wealth. At the same time, young lawyer Norman Mushari attempts to track down the other. less wealthy branch of the Rosewater family, to convince them to sue their wealthy cousins.
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Concert film documenting the final show of Swedish grindcore legends Nasum.
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"Ciao, 2021!" - New Year's edition of the Evening Urgant program, aired on Channel One on January 1, 2022. The release parodies the festive concerts of the Italian pop music of the 1980s and the tradition of the Soviet and then Russian "Blue Lights". All participants in the program - presenters and performers - have stylized Italian names and pseudonyms. Communication takes place in Italian and is accompanied by Russian subtitles.