Hues of Blue
A lonely artist leaves his paintings on the front doors of people's homes in an attempt to connect with them. However, one person won't accept his gift.
Wing Foot is a Navajo educated in an otherwise all-white school. He experiences prejudice from both the whites (because of his race) and the Navajos (who disown him because of his upbringing). Thus, Wing Foot is looked upon as neither Indian nor white, but simply a "redskin".
A lonely artist leaves his paintings on the front doors of people's homes in an attempt to connect with them. However, one person won't accept his gift.
Two adolescent Navajo cousins from different worlds bond during a summer herding sheep on their grandmother's ranch in Arizona while learning more about their family's past and themselves.
A working knowledge of Morse code and the foresight to pick a train driver for a sweetheart come in handy in this ‘race to the rescue’ thriller. When the wealthy Mr Harvey has to go away on a train journey, a couple of sharp-eyed crooks take the opportunity to burgle his home. Only the live-in maid stands between them and Harvey’s safe. Can our plucky heroine save the day?
An outlawed Earl forms a robber band and saves a girl from a knight.
Robin Hood and his followers aid the poor and oppressed from their hideout in Sherwood Forest, pursued by the Sheriff of Nottingham.
Perrone switches back to color and chooses European painting as the space for his tale and as his land of experimentation. The stage: paintings by Manet, Monet, Renoir, among other chosen artists; still, open-air landscapes put together through their similarities. The characters who move there: two men, two women, two hunters, two ominous creatures (one of them a tiny creature of the night with two eyes and a brutish and wild human body). Divided in 18 acts, the narrative of this film is limited to showing brief episodes about desire and violence as the fuel of human endeavors, while its characters roam in the woods. With no words at all, Perrone wagers all on the juxtaposition of textures, on superimpositions, and on the power of face close-ups – these are his main arguments.
Cowboy star Tom Mix was cast as Ned Ferguson, a sure-shot frontiersman with a nose for trouble.
Early Soviet prison camp depiction set to the years of Revolution.
Lilla Gravert falls into the clutches of a master blackmailer, Eric Helsingor.
The Devil's Toy is a 1916 American silent drama film directed by Harley Knoles and starring Adele Blood, Edwin Stevens and Montagu Love.
A train operator's obsession with being on time leads to tragedy for his family.
First installment of the Tense Moments with Great Authors series. Presumed lost.
The story of a young boy in the Midwest is told simultaneously with a tale about a young girl in New York from fifty years ago as they both seek the same mysterious connection.
Alone in her apartment during the pandemic, Natalie turns to her favorite classic movies to keep her company. When her life in color gradually begins to turn to black-and-white, she takes a magical tour through film history, recreating a dazzling array of classic movie scenes.
Charles Chauvel's first feature tells the story of a country girl, Dell Ferris (the Moth of Moonbi), drawn to the bright lights of the big city where her inheritance is soon frittered away with high society revelling. A wiser Dell returns to Moonbi Station where she is beset by the cattle rustler Jack Bronson, but finally finds peace and happiness with the faithful head stockman, Tom. Only part of the film survives to this day.
This Gaston Velle movie from 1904 was a fairly venturesome piece of film-making for the era. First, its credits include Jules Verne: his second after the Méliès TRIP TO THE MOON a couple of years earlier. Second, it uses a dozen cuts, irised lenses -- the balloonists' views through their telescope -- panning shots, combined images and tints. The tints were standard for the era, but everything else had to be achieved with great difficulty. In an era when most movies still lasted a minute with a stationary camera and a single set-up, this was pretty much state of the art.
Three men are pursuing Diana, a beautiful young woman, and she finally decides on which one she wants, Jack. One of the rejected suitors, a rich and powerful banker named Frank, plots to get his revenge by forcing her father to forge Jack's name to a note, then tells Diana that he will ruin her father unless she sleeps with him.
In Oklahoma, kindhearted outlaw Brick Willock rescues little Lahoma Gledware and her father Henry from certain death at the hands of his outlaw band. In the course of the rescue, he kills Kansas Kimball, the brother of the outlaws' leader Red Kimball, who vows vengeance against Brick. Brick renounces his life of crime, and after Gledware relinquishes custody of his daughter to marry an Indian princess, the old cowboy gives refuge to the little girl, raising her with the help of neighbor Bill Atkins.
A historical drama depicting the Finnish struggle against Tsarist Russia. Opens at the Winter Palace in St. Petersburg in February 1899. Tsar Nicholas II signs the February Manifesto, the purpose of which is to abolish Finnish self-government. An act that arouse widespread opposition in Finland.
Visiting his vast properties incognito, Hugh Nichols (Tom Mix) discovers that his land agent (Cyril Chadwick) is forcing Peggy Swain (Clara Bow) and her dad (Frank Beal) off their neighboring ranch. When decent-minded Nichols demands that the agent cease harassing the farmers, the nasty villain blows up the nearby dam, flooding the valley.