01 Jan 1969
The Shooting Gallery
The only film to be both conceived and directed by Miroslav Štěpánek, using folk art from old market shooting galleries as the basis for a totalitarian parable.
Drama at the Puppets' House
For a short comedy of rare merit this subject is unexcelled. A chalk line series of grotesque caricatures enacted in the land of puppets. A fickle maiden gets herself into numerous embarrassing complications with her host of admirers, but the artist with lightning rapidity overcomes all obstacles and brings the maiden out victorious.
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A clueless man finds a bomb on the street and keeps throwing it to the crowd around him. The sketch then moves with the clueless nerd getting involved in all sorts of troubles until he accidentally gets into a hideout from a terrorist group that will complicate things for him more than he ever hoped.
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Scene 23, Slow pan The wind whistles over the dykes of the Willebroek Canal. Armand sighs. The viewer should feel goose bumps under their thick sweater. Make it clear that at this moment, Armand is craving a cup of Borain coffee. Scene 456, Armand's farm Armand puts down his coffee cup. Through the window, he sees a beautiful Romanian refugee with AIDS playing the cello in the beet field. Behind Armand, his wife, a former RTBF announcer, commits suicide by hitting herself with hot potatoes. Scene 2,347, sublime landscape of Flanders Armand can't take it anymore: will he choose the position of deputy for the Vlaamse Blok or that of puppeteer subsidized by the CUCF? No one can say.
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