Un jour à Paris
A young man finds love on the streets of Paris, thanks to an Umbrella
This 20th-century retelling of the classic fairy tale keeps all the familiar elements — a selfish step-sister, a put-upon beauty, a Prince Charming, and, of course, a lost slipper — but shifts the action to a contemporary boarding house. Cinderella, played by Mary Fuller, befriends an elderly resident, who buys a party outfit for her favorite when Cinderella’s elder sister preens for a dance. The new clothes transform the unassuming maiden into the toast of the ball. Finding Cinderella’s missing shoe, a dashing young man follows the clue to his grandmother, Cinderella’s friend at the boarding house, who works her magic to reunite the couple.
A young man finds love on the streets of Paris, thanks to an Umbrella
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Based on a true story, Joy Noy revisits pivotal moments in the life of Jonny, a young man caught between his conservative family, an evangelical church and his emergent sexuality.
A princess and a hunter. An iconographic journey immersed in Lusitanian fantasy.
Berlin, 1934. Many men are forced to live their hidden homosexuality. Erich, a photographer, has an appointment in his photo studio with Wolfgang, a Nazi soldier, with whom he shares a loving, tumultuous, and passionate relationship. For both of them, this should not be a problem, but appearances deceive.
Mark Sabre hires young Effie Bright to keep his snobbish, cold-hearted wife Mabel company while he goes off to war. When he returns home from the front wounded, he finds that Mabel has fired Effie, who shows up at Mark's door with her baby, having no place to go. Mark takes her in, but Mabel leaves him when the town shuns him for what they believe is going on with Mark and Effie. Matters are further complicated when Effie, driven to desperation, commits an unspeakable act that results in Mark having a nervous breakdown--and then things get worse.
In a picturesque hamlet overlooking the sea near Rome, two young men divide their time between petty thefts and football matches. Their crimes have the lightheartedness and exuberance of childhood games, until an unexpected proposal marks a change in their lives, and that of the history of Italy, with the death of Pier Paolo Pasolini.
An unknown couple in the same bed
The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.
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Nerves are on edge as Mohammed and Nouf sneak out to a restaurant for a date, an act prohibited in Saudi Arabia.
After experiencing traumatic events, a nurse has difficulty performing her duties due to a hostile work environment.
Three Scottish officers, including Sir Archi, murder Sir Arne and his household for a coffin filled with gold. The only survivor is Elsalill, who moves to relatives in Marstrand. There she meets a charming young officer- Sir Archi- and she soon understands that he was one of the murderers.
Prague, Bohemia, 1820. Balduin, a penniless student, falls in love with Countess Margit, a wealthy noblewoman whom he has saved from drowning.
Frank Johnson, a wealthy landlord, without a heart, has no mercy for the poor. His cold attitude towards the public in general has a great influence in his life, and when he proposes marriage to Eleanor Groves, his manner is indeed anything but that of love. Eleanor, although she cares for Johnson, reprimands him and tells him that she could never marry a man as cruel as he is. Her last line of rebuff, "The ghost of your better self will appear to you and make you realize what a beast you are," gets Johnson to thinking.
Younis is a taxi driver, who has passed the age of retirement. He drives an old car, which has never disappointed him. Today is his birthday...
The Seven Deadly Sins - Are they true to being called sins or are they simply human impulses? To what is a sin and what is not? Such is a question worth pondering. In the end - do as you wilt.
Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?
A lovelorn man is entranced by a beautiful girl who takes a ladybug from his neck.
Due to an unfortunate mistake with laboratory samples, a young husband is diagnosed as suffering from the terrible disease of leprosy. In his distress he decides to leave home.