The Christmas Carol
A Christmas Carol was a 1949 syndicated, black and white television special narrated by Vincent Price.
A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.
A Christmas Carol was a 1949 syndicated, black and white television special narrated by Vincent Price.
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Shane and his friends thought it would be fun to recapture their 'geeky' youth with a game of Dungeons and Dragons. But then someone showed up in a cape.
After a brief and disturbing trip to the future, a teenager records what might be her final vlog.
A young couple spends their last day together after agreeing on only dating for three months.
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A young woman in the Old West sets off on a journey of revenge after her sister is murdered.
An old man, almost deaf, observing and listening to hospital patients. A 12-year old boy, with a pain-insensitive disorder, feeling like a super hero. A nurse, who lost all sense of smell, treating wounded soldiers during WWII. A mute man about to become a father. And a young lad into a coma surrounded by his owns. Five stories in one film, five characters facing their disabilities.
Father Colm Mcdwink must battle mysterious demons that endanger as young woman and the world when they take over of the bodies of some innocent looking puppets! Also there's a garbage pail kids movie poster!
Hsiao-Peng, an unmarried mother is sent to a maternity home for young single mothers. During her time in the maternity home, she slowly overcomes the depressive thoughts and builds strong bonds with Wen-Yueh, Ko-Hsin, and Madam Pai. After moving out the maternity home, Hsiao-Peng lives with Wen-Yueh and Ko-Hsin in an apartment where they continue to be each other’s support. The two main settings of the film, the maternity home and the apartment, build an atypical family model. It is a tender coming-of-age tale where women are empowered with the right to think for themselves.
A young man on a bicycle is turning a corner in front of an apparently abandoned building when he begins to hear the ringing of a cell phone. (A prequel to the first version of Ju-on, 2000.)
Two schoolgirls, Hisayo Yoshida and Kanna Murakami, who are tasked with caring for their school's pet rabbits, are sweeping the cages and feeding the animals when Kanna cuts her hand, so Hisayo leaves her alone to go get bandages. (A prequel to the first version of Ju-on, 2000.)
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A group of men and women have been brought together after World War II, when Italy regained its national and territorial unity. They make up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life, and look to protect themselves from violence, misery and fear. Amid the ruins of this post-war period, these men and women build a new rapport between themselves, between sexes, between generations, between social and geographical origins, between political camps.
The murder of a gay recluse by small town religious fanatics forces the dead man's lover, a closeted divorced police detective, to find the remains of his former lover and come to terms with his loss.
A reserved young man meets an impulsive stranger on a secluded beach. Their brief friendship leaves each subtly changed.
Chiara feels that there is something wrong. She has a strange feeling she cannot explain to her mother or sister. During the night, after overhearing a heated argument between her parents and witnessing something shocking, her world is overturned and her safety net crumbles. Reality and dreams start to blur and Chiara’s life will never be the same.
A widowed professor living in Paris develops a special relationship with a younger French woman.
Despite her short skirt and bobbed hair, Myrtle’s no flapper—she’s a career girl with her eye on the prize. But over the course of an evening in the company of Jack, a bootlegger, she’s forced to ask herself what she really wants: a legitimate career, or success at any cost.
A montage of film clips and stills calling all lesbians to come out and celebrate who they are. In a trilogy of experimental documentaries, director Barbara Hammer rewrites history by inserting lesbians and lesbian imagery throughout educational films, newsreels, medical footage and more from the past century.