04 Mar 2011
Debra Milke
No overview found

A recently released mental patient imagines himself living the lives of three different people he randomly encounters.
Entomologist
Ex-Patient
Drug Addict
Young Mother
04 Mar 2011
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28 Nov 2005
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24 Apr 1997

From August to October 1942, over 2250 Jews were deported from the internment camp of Rivesaltes to Auschwitz by way of Drancy. Among them were 110 children. Friedel Bohny-Reiter, a nurse with the Swiss Aid to Children, worked in this camp in the South of France. Like many others in the formerly unoccupied zone, it was run by the French. Once a military camp, it had been converted in 1941 into a transit camp regrouping Jewish, Gypsy and Spanish people living in the area or who had fled to the free zone as refugees. Thanks to the young nurse from Basel, many children were probably saved from certain death. The film follows the nurse on a visit to that still intact site as well as through the pages of the journal she wrote in those dark days, published by Editions Zoë, Geneva in 1993.

16 Sep 2010

Zurich-born Hugo Koblet was the first international cycling star of the post-war period. He was a stylist on the bicycle and in life, and a huge heartthrob. Koblet had a meteoric rise and won the Giro d'Italia in 1950. Once he had reached the zenith of his career, Koblet was put under pressure by overly ambitious officials and ended up ruining his health with drugs. In 1954, he married a well-known model and they became a celebrity dream couple. After his athletic career ended, Koblet began to lose his footing. Threatened by bankruptcy, he crashed his Alfa into a tree.

24 Aug 1989

Satellite dish salesman Gus experiences some life-altering changes when he meets performance artist Lucy in this visually poetic fantasy. After Lucy vanishes, leaving a puzzling note, Gus goes on a quest for the mysterious woman. Moving from his meticulous life in a technologically advanced world into the spontaneity of nature, Gus learns some important lessons and begins to trust his own instincts.

01 Feb 2018

Both aspire to remain true to themselves and to build their lives freely. This bold vision in the 1950s is that of Katharina von Arx and Freddy Drilhon, when they meet during a trip to Polynesia. A passionate love unites them; she becomes famous as a reporter and illustrator, and he as a photographer. When the couple settled with their daughter in Romainmôtier to turn the ruined priory into their new home, their relationship was put to the test. While Katharina put all her energy into restoring the impressive building, Freddy began to feel depressed in this remote village in the canton of Vaud. A serious crisis erupted between the two and they broke up. Freddy left Katharina to start a new life on the south coast of England—but the love that united them did not fade.

01 Aug 2007

No overview found
20 Jan 2003
Two women and a man suffering from severe depression are accompanied by a camera for a year and a half. The acute phase of their depression is the starting point for this filmed account. How do they cope with their illness and their stay in hospital? How does their professional and family situation evolve after this major crisis? When do they feel cured again?

03 Jun 2005

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19 Jan 2017

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04 Mar 2005

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19 Jan 2009

In 1906, Dr. Morgenthaler, a psychiatrist at Bern Psychiatric Hospital, started to collect and photograph the drawings, paintings and various objects designed by his patients. This collection of works by schizophrenic artists would later prove an important contribution to art history and the history of "Art Brut" or "Outsider Art": work by artists who have been deemed obsessive, mentally or psychologically ill, or otherwise "abnormal."

16 Apr 2010

In 1996, Kalashnikovs were publicly burnt in Timbuktu. At the time, the "Flame of Peace" symbolized the end of the Touareg rebellion, which had been suppressed in bloody massacres. That year, the rebels laid down their arms. That year, with the government having made promises, the families who had fled abroad left Mauritania, Algeria and Burkina Faso to return home. In the fight for rights and survival waged by this people, who for centuries had found their freedom in one of the world's most inhospitable regions, the Sahara, culture and arms have been in direct competition ever since.

20 Jan 2021

No overview found

24 Nov 1997

The Jean Tinguely Museum in Basel, Switzerland, designed by Mario Botta, opened in 1996, five years after the Swiss sculptor's death. META MECANO is a poetic depiction of the genesis of this mono-graphic museum, from the builders' first plans and Mario Botta's designs to its construction and the assembly of Tinguely's fragile mobile sculptures. In interviews with Mario Botta, Tinguely's wife Niki de Saint Phalle, museum director Pontus Hultén and Tinguely himself, the film goes on to explore the mission of museums and of art in general today. META MECANO is a unique document on the significance of the artist Jean Tinguely and on the role that museums play in our day and age.

01 Jun 2010

No overview found

19 Jan 2009

The film portrays people with different time consciousness. A computer scientist works non-stop. Only when she gets home can she relax. A young employee suffers from sleep disorders and stress at work, and sinks into a state of decompensation. Ski trainer Didier Plaschy looks at the effects of slowing down and speeding up. Time historian Karlheinz Geissler takes a piquantly humorous look at our fast-paced society.

19 Apr 2004

No overview found

19 Apr 2013

Thirty female prisoners share the convicts’ ward of Tuilière Prison at Lonay. More than half of them have one or more children being raised elsewhere: with a sister, in a foster family, or – further away still – in their countries of origin. In portraying some of these women, the film sheds light on these mothers and the bond that ties them to their children.

04 Sep 2005

An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.