29 Apr 1969
The Hills of Qaytariyeh
A strange and mischievous documentary on an archeological site in the Qaytarieh hills in Tehran. This short narrates the story of the dead people who wished never to be found.
Le char funèbre
An impression of the funeral parade for Victoria, Queen of England, filmed in London (via https://catalogue-lumiere.com/le-char-funebre/)
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Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.
Wales 
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Wales prides herself in her wealth of natural resources, foundries, mills, and factories. Beyond this modern facade lies another treasure—a rich historical background and ancient lore. The great granite fortresses still remain as reminders that from the struggle and strife was born a pure and distinctive national culture.
The Arrival of a Train at La Ciotat 
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A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Berlin: Symphony of a Great City 
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A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Land Without Bread 
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An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
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A short film made for "Venezia 70 - Future Reloaded". A homage to Paulo Rocha and Kenji Mizoguchi, filming the director's two tombs, one in Tokyo and the other in Quioto.
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To help visualize the dramatic final chapter in Cassini's remarkable story, NASA's Jet Propulsion Laboratory produced this short film that features beautiful computer-generated animation, thoughtful narration and a rousing score. Producers at JPL worked with filmmaker Erik Wernquist, known for his 2014 short film "Wanderers," to create a stirring finale video befitting one of NASA's most successful missions of exploration.
Hollywood - The Second Step 
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This short follows the early career of actress Jane Barnes. She starts by doing extra work. After several months she is offered a studio contract (the "first step"). However, her work consists mostly of fashion shoots and bit parts that end up on the cutting room floor. She is even used as a stand-in for Maureen O'Sullivan on the set of a Tarzan movie when camera angles and lighting must be set up.
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She now lives many miles away from her mother, who is waiting to hear from her. It is a bittersweet, restless, nostalgic moment, and she remembers those vanished years.
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Making Of Castelo 
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A two parts making of documentary, following José Augusto Silva and his film crew during the shooting of a university short film called Castelo.
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This short film demonstrates how Howard Shore has distinguished himself as one of Canada's most accomplished - and versatile - composers. During woodland rambles with his beloved dogs, Shore gives free rein to his ceaseless creativity. Whether composing delicate counterpoint or Oscar®-winning movie music, Shore is keenly tuned to a remarkable range of musical expression.
Ricky Tomlinson Remembers... The Royle Family 
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Ricky Tomlinson sits back in his chair and takes a fond look back at the much-loved comedy series The Royle Family, sharing his memories of playing head of the family Jim Royle and his experiences working with the show’s co-creator Caroline Aherne, who, as well as writing the show with co-star Craig Cash, also played Jim’s daughter Denise. Ricky talks about how a chance encounter helped him get the part of Jim, recounts what it was like filming some of the show’s most iconic moments, and tries to get the bottom of the origins of Jim’s famous, below-the-belt catchphrase.
The Sun's Gonna Shine 
The Sun's Gonna Shine 02 Jan 1969
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A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.
Nanook of the North 
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This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Workers Leaving the Lumière Factory 
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Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.