Hansa
Footage of the German airship Hansa over Copenhagen.
Reel 1, an oil field is located, drilled, brought in, and pumped. Shows the Garber Field in Oklahoma. Reel 2 shows how pipe is laid and cleaned. One section crosses the Red River. Includes views of an oil camp and of a casinghead gasoline extraction plant. Reel 3, oil is distilled at a refinery. Reel 4, wax is removed from oil, processed, and prepared for distribution. Oil products are carried in tank cars, trucks, barges, and ships.
Footage of the German airship Hansa over Copenhagen.
A group of military men uses explosives to de-root trees.
A hunter and his native helpers set up a trap, then taunt and shoot a panther. Next we see the locals skin the animal.
On 4 September Frederick Albert Cook (1865-1940) arrived in Copenhagen on the ship 'Hans Egede'. He received a hero's welcome as the first man to set foot on the North Pole. He was greeted by the king, and given an honorary doctorate at the University of Copenhagen. Only a few days later, however, his endeavour was questioned, and in December the University rejected Cook's documentation. Carl Th. Dreyer is seen as one of the journalists taking notes. (DFI)
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.
A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.
On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches. On the right side, a few men appear to be testing the workings of what may be a turbine.
The subject is two grotesque-looking human beings who are sitting on the deck of a ship. The two weird individuals sit cross-legged and do the bidding of a man in oriental costume. The point of the film seems to be directed at the fact that the bone structure of the two subjects makes them look like monkeys or apes, and the spectators seem to be trying to get them to behave like monkeys, that is, scratch themselves, etc.
Between 1950 and 1955, Henri Langlois tried to produce, on behalf of the Cinémathèque française, several films devoted to great artists, with their cooperation, by entrusting them with virgin film stock. Wrote Langlois on the unfinished project, epic in scope: "We had the idea of asking poets, painters, scholars, writers and even repressed filmmakers [...] to make films in 16mm, with the means at hand, without taking into account any commercial concern or censorship." What precious little came of the project was eight minutes of film from Matisse and twenty-some from Marc Chagall, released at a later date.
This scene is a part of the very first film shot produced by the Manaki Brothers. Despina, the Janaki and Milton Manaki's grandmother, was recorded weaving in one high-angle shot. For no apparent reason, the first shot made in Macedonia, in the Balkans in fact, made by these two cinematography pioneers, contains peculiar symbolics: at the moment when the grandmother Despina spins the weaving wheel, film starts rolling in our country.
We reveal how the oil industry has been secretly funding scientific studies, launching false media reports and systematically deceiving the public about climate change - since 1946. At the same time, they used their knowledge about climate change to gear up for a warming planet. Now, the first lawsuits have been filed, holding them responsible for global warming.
A new film compiled from the BFI National Archive's unparalleled holdings of early films of China, features films from 1900-48 filmed across China. The cinematic journey of Around China with a Movie Camera contains many films which may never have been seen in China, or at the very least not for over 70 years. These travelogues, newsreels and home movies were made by a diverse group of British and French filmmakers, some professionals, but mainly enthusiastic amateurs, including intrepid tourists, colonial-era expatriates and Christian missionaries.
Documentary about the making of Buster Keaton's silent comedy classic, Sherlock Jr. (1924).
A group of Macedonian women are shown hard at work.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
The French researcher Bertrand Monnet visits pirates in Nigeria and Somalia to learn how they make money from oil theft and kidnapping.
Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...